The Berry Man's Carol: A Christmas Horror

“Green man”

“What?”

“It’s called a green man. There’s no such thing as a “Berry Man.”

Andy considered the carving on the end of the pew. The oak was so old that it was now the colour of treacle, and the face was more like a gurning pixie than a man, with a sharp little sticky - out tongue and tiny round eyes. It wasn’t green. It vomited and drowned in brambles and berries.

“Looks a bit pagan for a church,” he said.

“Actually it’s a Christian thing,” said Craig. “Apparently it was common in the Middle Ages to draw the cross as a living tree. The green man is most likely Christ himself, being consumed by torment.”

Andy looked at it again. Partly hidden by the tongue and all the leaves, some kind of simple whistle protruded from its mouth. It looked like it was having a great time, to him.

Craig pulled out his laptop and a bundle of cables from his rucksack. “Is your mic on?” He said, “We could do a bit about the font.”

St. Mary’s of Temple Bottom was one of the few churches in Britain with visible Saxon features, including the font, a squat chunk of pale granite that nature had filled with rainwater and leaves because the roof had been fucked for decades. The church itself had been recently sold off to the “Friends of Friendless Churches’ charity, and they had asked Craig and Andy if they’d do an episode about it, but a font and a funny name would barely make a short. St. Mary’s Bottom was one room, half a roof, and a handful of gravestones outside, broken and pulled down by centuries of bindweed. They were going to need something else to talk about.

“Avebury’s not far from here, is it?” Andy said. “We could go and do a bit about the solstice, maybe?”

Craig frowned and scratched his beard. “Solstice is tomorrow though, I’d struggle to have time to edit it and get it out before Christmas. Mr. Banbury should be here in a minute, he might have some local stories or something.”

“He’s the guy that does the ghost walk?”

“Yeah he does the Salisbury one.”

“Must have something fun then.” Andy looked into the puddle in the font, watching his reflection among the leaves turn his red beard and hair into a rusty- brown green man. The hagstone on the leather cord he wore dangled over the water, swaying like a pendulum as the black silhouette of a pigeon fell into the clouds behind him.

There was a boom and a scrape as a very tall man in a neat grey suit fought with the door.

“Are you the podcast people?”  he said, still trying to push the door closed behind him. “I’m terribly early I’m afraid. Gosh, they made things properly in the 16th century, didn’t they!”

The door finally shut with a clunk. The man had a neat, goatish grey beard but his white hair was a wild halo of fuzz around his head, and he was, apparently of his own free will, wearing a Christmas tie, the kind that plays a tune when you press the button, which he actually did as he approached them. It played ‘Ding Dong Merrily on High.”

“Seasons greetings!” He said, shaking Craig’s hand and then Andy’s. “Doctor Banbury, It’s me that’s been emailing? I said I’d give you the tour?”

‘Yeah,” said Craig. “Yeah of course, thank you, it’s a lovely place.”

“Isn’t it? It’s wonderful to finally do something about it really. Have you been told about the font? And our green man? He’s quite distinctive in style, might even be early fifteenth, who knows?”

The tune from the tie finished. Outside the pigeons warbled softly.

“How much money do you need to fix everything?” Asked Craig.

“Oh, far more than we have. But it’s done the place some good just to get that awful sixties steel roof off, if you ask me. The plan is to replace the original thatch but we’d have to go on the waiting list, there’s only one company still doing it locally.”

“We were wondering if you knew any good folklore about the place,” said Andy.

“In Temple Bottom?” Andy had to stifle a giggle at the way the doctor’s Wiltshire accent lingered on the word ‘bottom’.

The Dr. paused, and leaned in as if he was worried the birds might overhear. Andy wished they’d had a chance to set up the recording before he’d asked the question. “Well, it’s very interesting that you should ask. Because the truth is…” Dr Banbury stopped, looked at the door, and then pressed his tie button. It played ‘Ding Dong Merrily on High’, again. “There’s bugger all, actually.” He chuckled. “A surprising dearth of good folklore, given the age of the church and the surrounding farms, and of course we’re not that far from Avebury. But if you’re interested in folk culture there’s always the Berry Man.”
“Oh?” Said Andy.

“Well obviously there is no such thing-“

“right-“

“-really, It’s likely a misspelling of burry man, after the festival in Queensferry. All we really know is that Cecil Sharp came here in 1910, and recorded a tune he was told was a morris dance, named the ‘Berry Man, but the timing’s all wrong for morris. Nevertheless, we’ve found a side from Dorset that are willing to have a go tomorrow evening, in return for free mulled wine and hotdogs, and the ‘friends’ will be there of course, shaking the old tin for the roof repair. You’d be welcome to film.”

“That sounds interesting,” said Craig. “That’s here?”

“Up on the hill.” Dr Banbury waved his hand in the direction of the eastern wall, as if they should be able to see the chalk ridge of Faulkner’s hill through two feet of stone. “That way people can park at the “Pipe and Fiddle’, just down the road.”

Craig nodded, and clipped his mic to his shirt collar, handing another to the doctor. “It’s an Iron Age hill fort up there, is that right?”

“They used to think so. Disappointingly it turns out that an aristocrat from Marlborough planted the ring of beech trees in the nineteen hundreds, and there’s no sign of earlier earthworks. The Salisbury Young Archaeologists did a dig a while back, found nothing of interest at all.” He clipped the mic to his shirt collar. “The council have let us borrow some fairy lights for the trees, so it should be lovely and festive.”

A shot of cold drizzle hit them from the hole in the roof. It’ll take more than some twinkly lights to make the barrow-downs in midwinter feel like a party, Andy thought, putting his jacket hood up.

Dr Banbury pressed his tie button. It was ‘Ding Dong Merrily on High,’ again. “Let’s do the tour, shall we?”


“So the tie was weird, right?”

On the other side of the zoom call Craig laughed over his glass of beer. “Holy shit. I mean I like Christmas but that’s commitment.”

“Do you really want to go? It’s going to be bloody freezing, and you’re going to want to edit the whole thing before next week.”

Craig swivelled his office chair so that he could pick a book out from the shelf behind him. A vintage doll with black painted eyes, a small deer skull, a plush red demon and a goatskin drum, all perched on top of the row of books, all leaned over slightly as he pulled the book out. “Ah, but would you be more interested if you knew it was haunted?”

“The church?”

Craig sipped his beer again as he shook his head, opening the book. “The hill, Faulkner’s hill. It’s funny, I found a few references to Temple Bottom being called that because of a Roman temple on the site, but if you actually look at the earliest maps of the area it’s listed as Templeton hill- they were the family from London that owned the estate, the Victorian guy who planted the trees was Augustus Templeton. According to Kathleen Wiltshire, he called it  a ‘druids circle.’”

“He was a strange-rites-in-the-woods kind of guy then.”

“Not for long. He walked into the pub one night, naked and covered in mud, raving about all kinds of things, only a month after the beeches were planted. Ended up in bedlam. Since then, locals have claimed to have heard weird voices, singing and laughing. There’s a post on facebook from a dog walker who says she saw faces in the trees. There’s even been a TV crew up there, a group of film students recorded this-.”

Craig clicked a couple of times on his side of the screen.

“Listen to this.”

Andy turned his headphones up and leaned over his desk on his elbows.

For a moment there was nothing. Andy looked back up at the screen, about to tell Craig his audio wasn’t working, when it started, faintly at first, small sounds. A bell. Distant singing, like someone drunk in the corner of a pub, mumbling an old folk song into a glass of whiskey. Laughter, like a bunch of students scaring the crap out of themselves in a dark wood.

“It’s…interesting, I guess. Dr Christmas said there weren’t any good stories.”

“Most of it seems to be online stuff, the Wiltshire book is the only one that even mentions the place, by either name. I don’t think Mr Christmas is using much social media.”

“And you do think he’d mind if we stayed late, tried to catch some recordings of our own?”

Craig shrugged. “He asked us to bring the equipment, they want publicity for the ‘friends’.”

Andy didn’t have an office chair to swivel on, only an old wooden school chair that creaked as he leaned back, stretching his arms up over his head until he could tap the Lord of The Rings poster on the wall behind him. “Do they know no-one actually listens to us, though?”

“Hey!” Craig replied. “We got over a hundred views on the slenderman one. We could do with getting there early, if we’re doing it. I want to interview the morris dancers, ask if they’re modifying an old dance or just making something up.” Craig swivelled again to put the book back, knocking something off his desk as he turned. Andy heard the knock, but for a second it sounded like it was coming from his side, from the front bay window of the flat. There was muffled laughter. The curtains were closed, and he didn’t bother getting up to check.

“Was that you or me?” Craig was peering off to the side of the screen, trying to see out of his studio window into the garden.

“My end.” Said Andy. “Students probably.”

Craig picked up the object from the floor and dangled it in front of the screen. “Look, Ocean found this from the antique place last weekend, it’s a new tradition apparently, you’re supposed to buy kids baubles for Christmas.”

Andy leaned in towards his computer to see. It was a bauble, a hand made pottery ball covered in thick ceramic leaves with a crude face on one side, with two garnets, as dark as elderberries, set where its eyes should be. It shook its head at him as it bobbed from its string. The laughter outside changed to a quiet snigger.

“It’s a Berry Man!” Said Craig.

“Now, now,” replied Andy, in his thickest West Country Dr Banbury impression, “There’s no such thing as the burry man!”

Berry Man,” laughed Craig.

“What?”

“There’s no such thing as the Berry man. The burry man’s a real thing, it’s a parade thing in Scotland.”

“Oh yeah, it’s a folk thing.”

“It’s in the documentary I told you to watch, they cover a man in burdock burs and he goes round the town collecting whiskey as a tribute. He’s wankered by the end of it, they have to have a couple of volunteers to hold him upright.”

“Well,” said Andy. “That  sounds weirdly terrifying. Must be some kind of pagan hang over, surely? If they’re making offerings to it?”

“No, it’s not even that old. Some guy hid in a ditch from the police once and covered himself in the burs as a camouflage. Now they do it every year.”

Craig frowned and looked off towards the garden again. “Are you sure that noise is your end?”

Andy listened. The sounds of a distant party, a faint drumbeat, could only just be heard over the whirr of his computer. “Sounds like it. Maybe Ocean is playing a prank on you.”

“I hope not, it’s half midnight.”

“Shit, is it? Are you still ok to pick me up tomorrow?”

“Yeah,’ Craig reached for his phone. “If you message me when you get to the- oh fuck-“

He sent the bauble rolling off the edge of the table again, only this time it landed on the floor and smashed into bits.


“Hello and Welcome to Wyrd Wessex, my name’s Andy, and today I’m here at Faulkner’s hill in Wiltshire, talking to the landlady from the ‘Pipe and Fiddle’, Mrs Bridges. Mrs Bridges, do you have any good ghost stories in your pub?”

Mrs Bridges gave him a look as if she might beat him with her walking stick at any moment. He stepped back a little as she brandished it.

“I don’t hold with none of that,” she said. “See this? This is Irish blackthorn, given to me by my great aunt who told fortunes. I put it up over the door, stops bad spirits getting in.”

Probably a pretty good burglary deterrent too, he thought. The stick was almost twice as tall as the little old lady, who was wearing a full length Barbour walking coat and a huge white hat covered in nylon pansies.

“Oh,” he said. “Good? Um. How about the dance then? This is the first time this event’s been held here, but it’s a revival of an older festival, is that right?”


Mrs Bridges fiddled with the mic clipped to her knitted scarf, and inclined her neck towards it as she spoke.

“I think it’s a load of old bollocks.”

Several bystanders giggled behind him and Andy could only nod in encouragement, not trusting himself to laugh.

“There’s no such thing as the burry man,” she continued,  “that man Sharp came to the pub back when it was my Grampy’s place, offering all the old folk a dram of whiskey in exchange for a song they remembered from the old days, so farmer Johnson just made up any old shite. Any case, Everyone round here knows you weren’t allowed dances in the Bottom, not in his day nor after.”

“Oh?”

Mrs Bridges whacked at the grass with her stick.

“Old Cromwell's rules, some say,” she said, “My old dad said it was because of the Romans. It was the Britons here before them, weren’t it?”

A stout man in a cap and tweed jacket next to her nodded severely, as if she were recounting some personal family tragedy.

“Well. One time the Roman army was marching the old road along the edge, and they saw Britons dancing in the bottom. But it was different to how they did things. The general thought it so queer that he had the lot of them butchered down on the spot, and a temple raised, so the Britons could only worship how they were told, from then onwards. Course then the Christian’s came, and did the same to them.”

She leaned back against the keg of beer behind her, and swung the stick in the direction of the edge of the hill, where the chalk downs ended in a steep ridge high above the vale of Pewsey.

“Mind, the nearest clergyman here now is over in Marlborough, so I expect these folk’s’ll do as they please.” She swung the stick back to point at the morris dancers, who were milling about in the clearing, fussing with their costumes. It was busier than they’d expected. The circle of trees, almost half a mile wide, was poorly lit by globe shaped lights on long strings, run by a very loud generator that sputtered as if it was falling every few minutes, making the lights dim and twinkle. The dance group was in the middle, and around the rim, chatting over paper cups of steaming mulled wine, a small crowd of locals, mostly middle aged women in wellies, waited. Andy thanked the landlady, and went to find the other half of Wyrd Wessex..

Craig was interviewing a morris dancer on the quiet side of the trees, close enough to the edge of the hill to make Andy feel dizzy. Over the valley, the fog was seeping into all the little woods and hollows, and about a quarter of the way up the bank, in a fold in the hill that formed a natural platform, was the church, a dark square in the failing light, far enough below them that he could see a glimmer of candlelight right through the hole in the roof.

“There’s someone down there,” he said, half to himself.

The curly-haired morris dancer, a big man with a friendly smile, nodded as he tried to quickly eat a mince pie, hold his pipe and tabor still, and speak to them all at the same time. “Dr Banbury said he was going to check it was all locked up.” He turned back to Craig. “It’s definitely a sixteenth century tune, in fact it’s really just a variation on what we now know as ‘Ding Dong Merrily on High,”

“Isn’t that-“ Andy interrupted. “Isn’t that odd?”

The morris dancer shook his head, jingling the bells that hung from his hat. “Not at all, melodies were often re-used for different folk songs throughout history, especially dances.”

“Oh. Right.”

Craig stopped the receiver on his phone. “Jim was telling me about the cheese rolling, in Gloucester.”

“I thought that was banned.”

“The council tried, but the locals went ahead anyway. We were there to dance at the after party, but of course by then most of the competitors were in the back of an ambulance. Bloody nuts. All in good fun though, once you’ve got the blood of your shoes.”

“We’ll have to go next year,” said Craig, “for the podcast.”

Jim pointed towards the clearing with his pipe. “Have you got a picture of our green man, for your podcast?”

Andy frowned, confused. “The one in the church?”

“No, the big man,” said Jim, “The Berry Man.”

“The Berry Man,” Andy replied, slowly, the words leaving an odd taste in his mouth, like overspiced mulled wine.

Jim shook his head again, gleefully enjoying the way it made the bells tinkle. From the clearing, behind the trees, a drum sounded. “Yeah that’s just a nickname really, technically he’s the holly king. We made him for a wassail event last year. It takes three people to operate.”

“It’s a symbol of fertility,” said Craig. “Evergreen life, in the face of winter.”

Jim shook his head again. “No, no, he’s supposed to defeat the oak king at Samhain, but we haven’t got round to making one yet.”

“Actually,” replied Craig, “the oak and holly king are supposed to fight at Beltane, to herald the return of spring.”

“No, see that’s a miscon-“

“Aren’t you supposed to be starting?” Said Andy. The drum was beating, and the clearing in the trees had gone quiet.

“Oh crap,” said Jim. “I’m supposed to be over there.” He ran back into the clearing, and Craig and Andy followed. The cry of ‘Ding Dong Merrilye on High’ could be heard on a tin whistle. The Berry Man had begun.


It started very quietly, as if nobody was sure what to expect, and the dance was danced very slow, as if nobody was quite sure what to do. A circle of morris men, in black tattered costumes dripping with bells and dark ribbons, moved in awkward steps, from side to side, around the central figure of the Berry Man; a mask on a pole, and two hands on a further pair of poles, all held aloft and swung by three people, their bodies only half hidden by a length of fabric that connected the sections of the puppet together.  Plastic ivy leaves were stuck to it. Green ribbons streamed out from its gaping, grinning mouth onto the grass.

“It’s based on Dionysus, the Greek god of wine.”

A lady whose nose was red from the cold, pointed to the head of the thing, where plastic grapes formed a kind of hair.

She was corrected by another woman in the crowd behind her. “Well, of course Dionysus was really the god of ecstatic dance, the wine thing was just a metaphor.”

“I thought it was Bacchus who did wine,” said another.

Andy turned to Craig, but he was already gone, crouching near the circle with his phone to try and get a good shot of the morris group, which still looked as if they hadn’t quite worked things out yet. Andy decided to try his luck, and turned to the bystanders instead. “We’re here to record local ghost stories about the hill,” he said. “are you guys local?”

It turned out the two women were from Pewsey, members of the ‘Friends of Friendless Churches,’ and were full of good ghost stories, along with a several people that he managed to speak to while waiting in the line for the beer keg, but none of them knew anything he hadn’t heard before. Even Mrs Bridges had nothing more to say about the hill, or its bottom.

Andy wandered around the outskirts of the circle, closer to the trees. The dance had warmed up a bit, the puppet in the middle starting to look more and more like one thing and not three parts. The guy with the whistle was still playing ‘Ding Dong Merrily on High,’ and the one with the drum, a big bass that weighed him down with a strap around his shoulders, was beating it so erratically Andy wondered if it was his first time playing it. He spotted Jim with his pipe and tabor on the other side, wandering in and out of the beeches as if he had got bored of the main dance and decided to do his own thing. The rest of the morris men, interchangeable under their green face paint and black hats, were still dancing in a ring around the Berry Man but gaps were appearing, as members went missing, or left to get wine, or tripped over, and Andy could hear them, and the bells on their costumes, messing around and giggling in the trees behind him.

He found Craig trying to get an arty photo of the largest tree, but the lights flickered and went out just as he took it. The morris men carried on as if they hadn’t noticed.

“I got a couple of good stories out of the landlady earlier,” said Andy.

“Yeah?”

“Well, maybe. She reckons that it’s called Faulkner’s hill after a seventeenth century highwayman who was hanged and left in a gibbet here, right in the circle, but that can’t be right can it? Because the trees weren’t even planted then.”

Andy looked at Craig. He had dropped his phone on the ground and was staring at the dance.

“Hmmm.” Craig spoke without looking away. “Faulkner was the name of an ancient Druid king, who was a priest of the Berry Man. Augustus Templeton named the hill after him.” He was tapping his foot, and swaying slightly, as if he was listening to actual music and not a single shrill tin whistle and one bad drummer playing a christmas carol.

There’s no such thing as the berry man, thought Andy. It’s a Church thing, medieval, you said so just yesterday.

“We should join in,” said Craig.

“What? With what?”

“The dance.”

Andy couldn’t think of anything to say. Christ, he must be pissed. I thought never drinks if he’s driving?.

“Mrs Bridges said we’re not supposed to dance in the bottom,” he said, feeling stupid.

Craig smiled, slowly. “The bottom’s down there. We can do what we like, up here,”

“You’ve never danced in your life, not even goth dancing. You didn’t even dance at the Heilung gig. And dance to what? Ding Dong merrily on high? They won’t even get to the good bit!”

“What good bit?”

“You know, the ‘gllooorry- er, bit,  it’s just the same bit, over and over!”

“So? Everyone else is having a great time.”

It was true. The crowd were joining in. One man was doing a jolly little jig with his snarling little dog held under his arm. The ladies from Pewsey were spinning each other around. Someone with a collection bucket and a shiny orange hi- visibility vest used their free hand to grab Craig’s arm, and pull him into the circle, where the morris dancers shouted and waved as if they’d been waiting for him the whole time.

Only Mrs Bridges, who seemed to struggle to walk even with the help of her stick, was still sitting out, leaning on her keg, alone.

Andy was making his way over to her when it got him, too.

They must have slipped something into the beer, he remembered thinking. Into the wine. Into the mince pies. In the ground, In the grass.

There weren’t any steps, or moves, or anything, it was just something he knew how to do, like breathing, like clothes. No one tells anyone what to wear, do they? We all just wear whatever we like.

He heard himself singing. Ding Dong merrily on high, the singers are all siiingiiing- they were all doing it, and nobody really knew what the words should be, because it didn’t matter. He weaved in and out of the crowd, and it weaved in and out of him, and the more he moved towards the Berry Man, the closer he wanted to be, closer to the taste of ripe plums and the smell of bonfires and treacle and sloe gin and wet leaves. It had six feet, and stamped on everyone’s toes and hands, and screamed when they screamed. It was chasing people with its paper mache fingers, and they were laughing, running through the trees, rolling off the edge, laughing as they tumbled down. Andy was having a great time, showering in the ribbons that dribbled from its mouth, scrabbling on the ground away from its clumsy reach, until he, too, was close to the edge, and could hear, even from way up here, the sound of bells, as fallen morris men jingled their broken limbs and sang.

“Ding Dong Merr-“

Mrs Bridges, stabilising herself against a tree, threw a pint of beer over him and then hit him very hard with her stick.


“I don’t know what the bloody hell you’re all playing at,” said Mrs Bridges, adjusting her hat. “But someone’s going to have to call an ambulance for those people and I knows you’ve got your phone on you because you were fiddling with it earlier.”

She stood ready with the stick, waiting for him to give her another reason to swing it. Andy rubbed the wet hair out of his eyes and blinked. It was very dark under the tree, and the screams and laughter from the clearing sounded strained, like overtired kids trying to pretend they were still having fun.

“What? What people?”

“Them down there, playing silly buggers on a steep hill like bloody idiots.”

Andy looked down. There were people down there, piled up against the churchyard fence, giggling and singing. One or two looked passed out.

“Looks like they’re ok.”

“Yeah? Who’s blood’s that then?”

She pointed a slightly shaky, frail little finger at the Berry Man. The thing was walking between the trees, followed by a small gang of morris dancers, the fabric that held it together in tatters, and there was blood smeared on its pale hands.

“Oh god. They must have slipped something in the drinks, in the food-“

“Not while I was in charge. Besides, your mate didn’t have any of either, and look at the state of him.”

Craig was dancing in the middle of the clearing, alone, launching his arms into the air, enjoying a rave no one else could see.

“Should I hit him too, do you think?”

“Probably best,” said Andy. “Gently though.”


“Oh god.”

Once Andy and Craig had scrambled as carefully as they could down the slope, they could see that Mrs Bridges had been right about the ambulance. Jim was there, trying to play ‘Ding Dong Merrily on High’ on his pipe and tabor, but the skin of the drum had been ripped, and the pipe dangled from his clearly very broken left wrist. One man was laughing because he couldn’t stay upright, and it was only when they looked closer at his leg that they realised why; he was soaked with blood, and a jagged white splinter of bone had torn a hole in his jeans. He kept trying to pull himself up, as if he couldn’t figure out why his foot wasn’t working.

“Oh god.” Andy said again as Craig tried took his phone out.

“What?” Craig had the phone to his ear, asking for the ambulance service.

Andy pointed back to the top of the hill. “There’s another one.”

As he spoke, the man in the tweed cap and jacket came sliding over the edge towards them, hit a bump in the grass, and was flung violently into the old wooden fence, scaring the crap out of a flock of pigeons as he hit it. The man tried to stand, toppled backwards, and cheered.

Andy peered up at the ridge, trying to see through the soft drizzle how many more people might be coming down. He saw The Berry Man step out from under the trees into the light of the half moon and raise its hands in triumph. The streamers had been torn from its mouth, and a branch seemed to be stuck in its eye. Andy, wet with beer, covered in mud, grass stains and grey chalk marks, suddenly felt lighter, younger, and there was that taste on his tongue again, woodsmoke and cloves. He checked his body to make sure bits of it weren’t dancing without him knowing.

It’s just people in there, he thought, I can see their legs. No. There’s something else here, something old and new at the same time, something that doesn’t care if it’s invented or remembered, so long as it gets to dance.

He felt his feet shuffling, as if the chalk under the grass was nudging them, guiding them into the steps. He stamped his boots and knocked them against each other, wiped the hair from his forehead, and saw then, behind the thing, the tiny shape of Mrs Bridges. She was sat on the ground, without her stick, but her head was swaying under the giant hat, her shoulders jerking like a puppet.

“Oh god.”

He waved at Craig, who was trying to explain to the ambulance service how to get to the church from Pewsey.

“We can’t go back up,” shouted Craig, it’ll take us forever. It’s going to be at least twenty minutes to wait as it is, we’ll have to try and get them in the church before the rain gets worse.”


They managed to carry most of the injured and sit them down. They put the guy with the broken leg on the floor, with his foot elevated on a pew. The church had a smell to it, a fume of rotting apples and fireworks, and though half of the gathering were still up on the hill the party sounded far closer than it should. Andy half expected the dancers to come leaping out of the shadows to tap on the windows and laugh. The room was well lit by pillar candles but they were all over the floor, and Andy had to tiptoe around them to get to the front of the church, to investigate an odd little sound he’d heard, like a mouse crawling about on its claws and squeaking. He nearly squeaked himself, when he saw what it was.

Dr Banbury was crouched naked behind the font, sniggering to himself like a toddler playing hide and seek.

The pew with the carving of the green man had been dragged up onto the sanctuary platform, and the altar table knocked away. Before it had been laid a headless pigeon and Dr Banbury’s musical tie, which was still playing, and bloody footprints were all around it, as if he’d been dancing. He looked up at Andy and smiled, reached up into the font, pulled out a slimy black leaf and ate it. Andy took his phone out of his pocket, found the audio app and pressed record.

“Um. Are you alright, Dr Banbury? There’s an ambulance on the way.”

“Oh quite well, thank you,” he replied. “I made it all up, you know.” He waved his hand towards the carving.

“Yeah?”

“Oh yes, quite made up, I’m afraid. There really is no such thing as a Berry Man. I came here last year, to see the font, and I saw him there and I thought, doesn’t he just look like he’s having a great time?”

Andy looked at it. Anointed with blood and winking in the candlelight, it somehow did look like it was enjoying itself even more than it had before.

Dr Banbury gripped the edge of the font. “Do you know what it’s like, being a historian? Everything has to be right. It all has to be properly verified. I have to write letters to the editor. I do my tax return a year before the deadline.” He let go and slid onto the floor. “I just wanted to have a great time.”

“We need to make it stop,” said Andy, gently. “How do we get it to stop?”

“Well you can’t now of course. Why would you want to? Isn’t this the kind of story you wanted? Isn’t this what your listeners want?” His eyes were wide, and his white hair radiated from his skull as if he’d been electrocuted. “You’re welcome to help with the advertising for next year, if you’d like.”

Andy shrugged, and looked back at Craig, who had finally managed to prise the tabor pipe from Jim, who was still trying to play ‘Ding Dong Merrily on High’ with only two working fingers. The musical tie was still playing the same tune, all by itself. “We’ve only got a hundred listeners,” he said. “And they prefer true crime.”

He saw the Dr’s eyes flicker towards the tie, but because he wasn’t barefoot and covered in pigeon blood, Andy was faster. He grabbed it,, and dangled it over a candle until it caught fire, and then threw it into the font once the flames reached his fingertips. The simple ting-a-ling of the music faded and died. The laughter outside faded and died.

Jim screamed.

“What the fuck happened to my hand?”

“Just try and keep it above your head, mate,” said Craig. There was screaming everywhere now, from Jim, from the hill, from the churchyard, from across the valley. Dr Banbury sniggered and squeaked with glee. Andy took the cloth from underneath the fallen altar table and tried to cover as much of the doctor as he could.

He went across to the back of the church and showed Craig his phone.

“I think Mrs Bridges got beer on my mic,” he said. “Phone still works though, do you want me to get some pictures?”

“Could do,” said Craig. “Though I’m definitely not going to be able to edit all this by Christmas.”

Britain's Original Wild Hunt

The Wild Hunt—the myth of a spectral, furious chase led by a mythological figure through the midwinter sky—is a staple of European folklore. While we often associate it with Odin or Woden, the original name for this terror in Britain was the Herlething.

This tale, recorded by the cleric Walter Map in the late 12th century, describes a curse so profound it trapped an entire army in a cycle of endless, silent wandering.

The Bargain with the Pygmy King

The legend begins with King Herla, a king of the very ancient Britons, who encounters a figure straight out of pagan terror. The being is described as another king: a pygmy, no taller than an ape, sitting astride a massive goat. Map portrays him as looking exactly like the pagan god Pan: a glowing face, a huge red beard, a hairy body, and thighs that degenerated into cloven hooves.

This terrifying, almost demonic figure proposes a classic Faerie bargain: he will attend Herla’s wedding that very day, and in exchange, Herla must attend his a year later.

Herla agrees. The pygmy and his impossibly huge retinue arrive at the wedding, filling the hall with shining gold and crystal vessels. The feast is pure, high magic, a staggering show of otherworldly wealth that makes it clear Herla now owes a substantial debt.

Three Days, Two Centuries

A year later, the debt is called in. Herla and his men follow the pygmy into a cavern in a lofty cliff. They emerge into a magnificent underground mansion—the home of the Hidden People.

They celebrate the pygmy king's wedding in a feast so glorious, filled with jewels and magic, that time seemed to melt away from Herla and his men. The feast lasted just three days, but as they prepare to leave the underground realm, the pygmy issues a final gift and a terrible warning.

Herla is gifted a strange, small bloodhound and is given a single, unbendable rule: no man in Herla's company must dismount until the dog leaps forward out of his bearer’s arms.

The Bloodhound's Curse

When Herla and his men are restored to the daylight, the true horror of the Faerie bargain is revealed.

Herla asks a passing shepherd for news of his queen, only to be met with confusion. The shepherd replies that the Queen and King Herla are ancient legends, because the Saxons have possessed the kingdom for a full two hundred years.Two centuries had passed while Herla was feasting for just three days.

In shock, some of Herla's men forget the pygmy's warning and dismount. They are instantly changed to dust upon touching the earth.

Herla, understanding the gravity of the curse, prohibits anyone else from touching the ground. But the bloodhound never jumps down.

The Herlething: Endless Wandering

King Herla, trapped by his agreement and cursed by the magic of the Hidden People, is condemned to endless, mad wandering. He and his entire silent, cursed army became known as the Herlething—the original British Wild Hunt.

The accounts describe the army as an assembly of "infinite wandering, of the maddest meanderings," where many within the ranks were "known to be dead appearing alive."

Their last bizarre exit was recorded on the borders of Wales and Hereford. They were spotted at high noon, looking exactly like a regular royal court on the move, equipped with "chariots and beasts of burthen, with pack-saddles and bread-baskets." The entire group then suddenly rose into the air and disappeared.

The curse was complete. Herla and the Herlething were never seen again, but the legend of their silent, mad pursuit remains Britain's most ancient and terrifying Christmas ghost story.

The Resurrection Men of Potterne: Unmasking the Mummer’s Play

If you happen to be in a Wiltshire pub in the five days leading up to Christmas, you might witness something truly "Wyrd." The door swings open, a bell rings, and a group of men in tattered coats and strange hats burst in to perform a ritual of life, death, and dubious medical miracles.

This is the Potterne Mummer’s Play, a tradition that has survived—and been revived—to keep the ancient spirit of Wessex alive.

What is Mumming?

Mumming (or "guising" as it was once known) is a form of folk play that dates back centuries. While every village once had its own variation, the core story remains remarkably consistent: a hero, a villain, a brutal fight, and a magical resurrection.

In Potterne, the tradition is a point of local pride. As Bob Berry explained in our latest episode of Wyrd Wessex, the current play is a blend of history. It features words found by Reverend Buchanan in 1896, a revival staged by schoolmaster Bernard Baker in 1953, and the steady hand of the side that has been performing continuously since 1972.

The Seven Characters of Potterne

The play isn't just a performance; it’s a parade of archetypes. The Potterne side features seven distinct characters:

  1. Father Christmas: Forget the red suit. This is the Old English Father Christmas, dressed in green and tatters, acting as the master of ceremonies.

  2. King George: Our bold hero, ready to defend the crown.

  3. The Turkish Knight: The antagonist who challenges the King (and usually ends up flat on the pub floor).

  4. The Spanish Doctor: The comedic highlight. He travels from "Spain" (or perhaps just the next village) with a magic potion to bring the fallen back to life.

  5. The Valiant Soldier: A braggart warrior with a "cutter man, slasher man" reputation.

  6. Old Almanac: A short, punchy role usually reserved for the newest member of the troop.

  7. Little Man Jack: A mysterious figure carrying dolls on his back representing his family—a poignant and slightly eerie end to the lineup.

More Than Just a Play

While it looks like a bit of Christmas chaos, the Mummer’s Play serves a vital purpose. It is a living link to our ancestors, a way to gather the community, and a powerhouse for local charity. The Potterne Mummers perform up to 25 times in the run-up to Christmas Eve, raising thousands of pounds for the Wiltshire Air Ambulance.

As Bob says, "We do it because we love it. It’s part of what we do." It is a reminder that even in the modern age, there is still room for a bit of traditional magic, a wooden sword fight, and a pint of Christmas ale.

Stay Wyrd

The Original Folk Horror Christmas: Sir Gawain and the Unstoppable Green Knight

Before Krampus became popular, before haunted Victorian houses, there was Sir Gawain and the Green Knight. This famous medieval poem is arguably the original folk horror Christmas story, a tale that encapsulates everything Wyrd about the season: a massive, unstoppable monster, a beheading that goes wrong, and a desperate winter journey into the wild, dark heart of Britain.

The Wild Man at Camelot

The epic begins at King Arthur’s court in Camelot during a lavish, 15-day Christmas Feast. It is a time of civilised celebration and merriment—a social order perfectly established.

This order is violently interrupted by the arrival of the Green Knight.

He is an unstoppable, gigantic figure, not just wearing green, but literally green: green skin, green hair, green clothes, and riding a magnificent green horse. He is a walking piece of wild, untamed nature crashing into the refined world of the Round Table, carrying not a sword, but a massive axe.

He proposes the "Beheading Game": he will allow any knight to strike him once with his own axe, on the condition that, in one year and one day, that knight must seek him out and receive a return blow. It is a terrifying Christmas challenge that guarantees death.

Sir Gawain, Arthur’s nephew, takes up the challenge and swiftly lops off the Knight's head. But then comes the poem’s most fantastical moment: the Green Knight does not die. He simply picks up his own head, turns it toward the court, and instructs Gawain to meet him at the Green Chapel on the appointed day, before riding off.

The Perilous Pilgrimage

The court tries to laugh off the incident, but they are clearly terrified, knowing this headless challenge looms over the next year.

The rest of the poem follows Gawain's grim, epic, winter pilgrimage across the wild, dark landscape of Britain to keep his promise. He battles dragons and wolves in the wilderness, desperately trying to maintain his honour and his perfect Christian balance in the face of ancient chaos.

The Exchange of Winnings

Freezing and lost on Christmas Eve, Gawain finds the majestic castle of Lord Bertilak, where he is given sanctuary. Here, he makes a deeply Wyrd deal: the Exchange of Winnings. Every day, Bertilak will give Gawain what he kills while hunting, and Gawain must return whatever he has gained while staying at the castle.

This turns out to be a psychological test: over the next three days, he faces temptation from Bertilak's beautiful wife, who attempts to seduce him. Gawain manages to maintain his honour by returning the kisses she gives him to Bertilak each evening.

The Girdle and the Revelation

The exchange is perfect... until the final day.

On that last morning, the wife offers Gawain a silk green girdle, claiming it possesses a magical property to protect the wearer from death. Desperate to survive the fatal blow he faces at the Green Chapel, Gawain takes the girdle and hides it. He returns the kisses to Bertilak, but breaks the pact by keeping the life-saving sash.

When he finally meets the Green Knight, the truth is revealed. The Knight feints two blows (for the two days Gawain kept the pact) but nicks Gawain on the third blow (for hiding the girdle).

The Green Knight then reveals himself to be Bertilak! The entire year was a massive test, set up by the sorceress Morgan le Fay—Arthur's stepsister—to terrify the court and test their honour. The nick Gawain suffered was his punishment for his one moment of deceit.

Gawain returns to Camelot, ashamed, wearing the green sash as a sign of his failure. But in a final twist, the Knights of the Round Table absolve him, deciding that all knights will henceforth wear a green sash in recognition of Gawain's adventure and as a reminder of the enduring importance of honesty.

Murder, Mistake, and Madness: The Hysteria of the Hammersmith Ghost

In the depths of winter at the end of 1803, the quiet village of Hammersmith—then an isolated stretch along the River Thames on the outskirts of London—was gripped by utter, contagious panic. Its unlit lanes and ancient churchyard became the stage for a haunting that ended not with a spiritual cleansing, but with a landmark murder trial.

This is the tale of the Hammersmith Ghost.

The Spectre of Black Lion Lane

The terror began with whispers. Local lore suggested the phantom was the unquiet soul of a man who had taken his own life the previous year—the worst kind of death in those days. Suicide victims were barred from consecrated ground, often buried at a crossroads with a stake through the heart, ensuring their soul could never find rest.

The villagers were certain this ghost was compelled to haunt the very borders of the churchyard, with many reporting the horrifying sight of a man with a cut throat.

The sightings, however, were wildly inconsistent, fuelling the hysteria:

  • The Inconsistent Phantom: The apparition was described by some as being very tall and dressed entirely in white, while others claimed it wore a sinister calfskin garment with horns and large glass eyes.

  • The Unsettling Details: Witnesses swore the ghost’s eyes glowed like a glow-worm and that it occasionally breathed fire and smoke.

The panic became so extreme that people were too scared to venture out after dusk.

The Physical Assault and The Escalation

This was more than just a fleeting shadow; the phantom had a schedule, often appearing as the church clock struck one in the morning near Black Lion Lane. In one famous instance, a coachman, Mr. Russell, was so frightened that he abandoned his team and carriage full of passengers in the dark.

Worse were the reports of physical assault, which truly escalated the terror into a matter of public safety. The chilling rumours included two women—one elderly and the other pregnant—who were seized by the ghost on separate occasions near the churchyard. The popular, if exaggerated, tale was that they were so frightened they both died from shock a few days afterwards.

With London lacking an organised police force, several citizens formed armed patrols in the hope of apprehending the terrifying spectre. The atmosphere was boiling with fear, suspicion, and vigilantism.

The Tragic Case of Thomas Millwood

Many, however, suspected a human hoaxer. A brewer's servant, Thomas Groom, testified that something rose from behind a tombstone and seized him by the throat, feeling like something soft, "like a great coat." Another night watchman even claimed he saw the supposed ghost discard a white sheet before running off.

The tension reached a catastrophic breaking point on the night of 3rd January 1804.

Francis Smith, a 29-year-old Excise Officer who was part of the armed patrols, encountered a figure near Black Lion Lane—a terrifying, bone-white shape moving in the gloom. Believing he was staring at the angry, cut-throated phantom, Smith levelled his shotgun, a "fowling piece," and shouted a desperate challenge:

"Damn you; who are you and what are you? Damn you, I'll shoot you!"

Smith instantly fired a blast of small lead shot, hitting the figure in the jaw and neck.

The "ghost" was not a phantom at all, but a young bricklayer, Thomas Millwood, aged just twenty-two.

The Trial and the Irony

The full, brutal irony of the situation was revealed at the trial. Thomas's wife, Mrs. Fulbrooke, testified that she had desperately warned her husband because he had already been mistaken for the ghost due to his white clothes.

"I begged of him to change his dress; Thomas, says I, as there is a piece of work about the ghost, and your cloaths [sic] look white, pray do put on your great coat, that you may not run any danger."

Despite the massive public sympathy for Smith, the judge insisted that Smith's genuine belief in the ghost was irrelevant to the charge of murder. The jury was forced to return the only verdict the law allowed: Guilty of Murder. Smith was sentenced to death, though the Crown quickly commuted his sentence to one year's hard labour due to public outcry.

The Scooby Doo Ending

The ultimate irony arrived after the murder trial was concluded. It turned out the spectral, cut-throated phantom was nothing of the sort. The man behind the entire months-long reign of terror stepped forward to confess: old John Graham, an elderly shoemaker.

His motive? To frighten his own apprentice! Graham was simply getting back at the lad for daring to scare Graham's children with ghost stories.

Astonishingly, Graham was never punished for sparking the chaos.

The ambiguity of the "Hammersmith Ghost Murder" still haunted the British courts for two centuries, ultimately shaping modern legal precedents (the 1984 case of R v Williams), which clarified that a mistaken, but genuine, belief that you were preventing a crime could be used as a defence.

A Legacy of Contagious Fear

The fear didn't end with the murder. The scare proved contagious, with subsequent, similar phantom sightings across London—including two schoolboys projecting a headless ghost image near St James’ Park.

The very real terror also paved the way for human predators who attacked women in the lanes, sometimes wearing white garments themselves. Most notably, the incident occurred just before the earliest sightings of Spring-Heeled Jack in 1837, leading many to wonder if the ghost, with its breath of fire and smoke, inspired that later, terrifying legend.

The belief never truly died: in July 1955, the police had to cordon off the churchyard to hold back huge crowds who had gathered to wait for the phantom's supposed return.

The Wyrd Origins of Santa: From Lord of Misrule to Arctic Cryptid

The figure of Santa Claus is synonymous with modern Christmas, yet the jolly, red-coated man who says 'Ho Ho Ho' is an American invention less than 200 years old. Here at Wyrd Wessex, we look past the glossy modern image to trace where that familiar figure really came from, delving into ancient folklore, physics, and unsettling Arctic legends.

The British Lord of Misrule

The British Father Christmas has roots that go far deeper than his American counterpart. He was originally a much older, non-gift-giving figure entirely—a personification of the spirit of Christmas feasting and good cheer.

Historically, he was often depicted as a large, bearded man in a long green or scarlet robe, sometimes crowned with a holly wreath. He wasn't a visitor from the North Pole, but the Master of Ceremonies for the mid-winter festivities, encouraging everyone to eat, drink, and be merry. He was, essentially, the Lord of Misrule, presiding over the most chaotic and boundary-breaking time of the year.

Puritan Persecution

This older figure has no connection to the gift-giving traditions of Saint Nicholas. It is precisely because he was seen as a symbol of "drunken excess" and "popish" celebration that the Puritans banned Christmas celebrations entirely in the 17th century. Father Christmas survived, however, often depicted in popular folklore as a martyr of merriment and a symbol of traditional English resistance to austerity.

The blending of this native Master of Feasts with the imported gift-giving Saint Nicholas was a Victorian development, later cemented by American influences like the 1823 poem, 'A Visit from St. Nicholas', which gave him the sleigh and reindeer. The modern look was later solidified by advertising—but the original, green-robed figure remains the truly Wyrder version.

Beyond Physics: The Santa Identity Crisis

If we look past history, we find two compelling, modern theories that attempt to explain the impossible physics of a man delivering billions of gifts in a single night:

👻 Theory 1: The Global Tulpa

This theory posits that Santa is the ultimate, global Tulpa: an entity created purely by collective thought. For decades, hundreds of millions of people have focused their minds, their hopes, and their energy on one singular entity. All that global belief—manifested through songs, letters, and ritual offerings—is thought to have created a mass-produced thought-form.

In this scenario, the constant commercialisation, films, and advertising aren't destroying Santa; they are actively feeding the Tulpa energy. If the collective world stops believing, the entity ceases to exist.

🦌 Theory 2: The Arctic Cryptid

Alternatively, some argue Santa is more physical: a hyper-evolved, Class One, Arctic Hominid—the North Pole Man. This theory describes him as an exceptionally tall, unnaturally old figure with superhuman abilities who only appears one night a year, operating from an inaccessible, remote location.

As for the physics of the deliveries? The theory suggests the reindeer are somehow bending spatial geometry around the sleigh, a form of localised, Christmas-specific, dimensional warping, allowing a giant hominid to be a logistical genius while defying all known science.

Debunking the Red-and-White Myth and Sámi Horrors

Perhaps the most captivating theory about Santa's origin is that the red-and-white suit, the chimney descent, and the flying reindeer are all derived from Sámi shamans and the Fly Agaric mushroom (the psychedelic red-and-white spotted ones).

The theory suggests Sámi shamans (noaiddit) would collect the mushrooms and enter their snowed-in huts via the roof, delivering the dried fungi. The flying reindeer were a simple hallucination from ingesting the drug.

The Terrifying Truth

According to Nordic Studies experts and the Sámi themselves, this story is a captivating lie. The true Sámi midwinter traditions—called Juovllat—were focused on survival against terrifying entities:

  • The Stállu (soul-sucker): A cannibalistic giant dressed in dark clothes who would slaughter children at Christmastime and used an iron pipe to suck the life spirit out of victims. Protection was sought only by leaving out a bucket of water.

  • The Gufihtar (Hidden People): Invisible spirits of the land who, if disrespected, will torment you or even cast a spell to set your house on fire.

Furthermore, there is scant evidence that Sámi shamans relied on the Fly Agaric mushroom, as they were often gone by midwinter. The consensus holds that the mushroom theory was invented by outsiders, likely through a misreading of indigenous culture and the use of Sámi-inspired elements in 19th-century illustrations.

Ultimately, the Santa Claus we love is a complex, multilayered figure: Saint Nicholas meets Dutch folklore, blended with the British Lord of Misrule, and packaged by American advertising. The Wyrder theories, however, prove that even in modern times, the question of who—or what—is lurking out in the midwinter darkness remains open.

The Red Barn Murder: A Tale of Love, Lies, and a Macabre Afterlife

The story of the Red Barn Murder is not just a gruesome crime; it is a dark, quintessential English legend that consumed the public imagination in the 19th century and continues to shock today. It is a tale of a naive young woman, a charming rogue, and a revelation from beyond the grave, all set in the quiet, doomed village of Polstead, Suffolk.

The Ill-Fated Romance

Our story begins with Maria Marten, a 24-year-old woman whose life had already seen tragedy. By 1826, she had two deceased children and a reputation that made her vulnerable in her small, close-knit community. She found herself drawn to William Corder, the younger son of a prosperous local farmer.

Corder, though only 22, had a deeply tarnished character. Nicknamed "Foxey" at school, he was a known fraudster, a "ladies' man," and had already been disgraced for petty crimes like pig-stealing and cheque forgery. One chilling prophecy, made by a former partner-in-crime, hung over him: "I'll be damned if he will not be hung some of these days."

Despite his flaws—or perhaps because Maria desperately sought security—their passionate relationship was shrouded in secrecy. When Maria gave birth to Corder's child in 1827 (a child who also tragically died), Corder promised marriage.

The Elopement and The Disappearance

In the summer of 1827, Corder proposed an elopement. He played on Maria's fear of social ruin and the workhouse, claiming parish officers intended to prosecute her for having illegitimate children. He arranged a clandestine meeting at the Red Barn, a local landmark named for its half red clay-tiled roof, from where they would travel to Ipswich to marry.

On Friday, May 18th, 1827, Corder appeared at the Martens' cottage. Claiming a constable had a warrant for her arrest, he hurried Maria away. Ever the manipulator, he instructed her to change into men's clothing at the Red Barn to avoid detection. Maria, trusting him, walked to the barn—and was never seen alive again outside of her family.

For months, Corder kept up the deception. He wrote letters to the family, claiming they were married and living happily on the Isle of Wight, offering increasingly elaborate excuses for Maria’s silence—a lame hand, an illness, lost letters.

A Prophecy from a Nightmare

As the months passed, suspicion grew in Polstead. Then, something truly extraordinary occurred: Maria’s stepmother, Ann Marten, began to be tormented by recurring dreams. In these vivid nightmares, she saw Maria murdered and buried in the Red Barn, even pointing to the precise spot where the body lay.

Finally, on April 19th, 1828, nearly a year after Maria’s disappearance, Ann convinced her husband, Thomas, to investigate. Thomas Marten took his spade to the Red Barn floor and, buried in a sack in a grain bin, found the badly decomposed remains of his daughter. Identification was a grim process, confirmed by her hair, clothing, a missing tooth, and, most damningly, a green handkerchief belonging to William Corder tied around her neck.

The Hunt for the Murderer

The discovery of the body and the incriminating evidence pointed immediately to Corder. The police, assisted by London officer James Lea (who would later gain fame investigating "Spring-heeled Jack"), tracked Corder to a ladies' boarding house in Brentford. To the public's astonishment, Corder was found living there with his new wife, Mary Moore, whom he had met through a lonely hearts advertisement in The Times.

Corder was arrested and denied all knowledge of Maria. However, a search of the premises revealed a pair of pistols and, critically, a passport from the French ambassador, suggesting he had been preparing to flee the country.

The Sensational Trial and Execution

The trial began on August 7th, 1828, at Shire Hall in Bury St Edmunds. Admittance was by ticket only, and the press sensationally prejudiced the case. The prosecution argued Corder never intended to marry Maria, instead suggesting she knew about his criminal activities, giving her a hold over him he wished to silence.

  • Key Testimony: Ann Marten recounted her prophetic dreams. Thomas Marten described the harrowing exhumation. Maria's 10-year-old brother, George, testified to seeing Corder with a loaded pistol before the disappearance and a pickaxe afterwards.

  • The Defence: Corder, taking the stand, offered a desperate version of events. He claimed they argued and that he left the barn only to hear a pistol shot, running back to find Maria dead by an apparent suicide or accident.

The jury returned a Guilty verdict in just thirty-five minutes. Corder was sentenced to be hanged and, in a grim post-mortem punishment, to have his body "dissected and anatomised." Before the execution, Corder finally confessed, admitting he shot Maria in a fit of anger.

On August 11th, 1828, William Corder was hanged before an estimated 20,000 spectators. His final words were, "I am guilty; my sentence is just; I deserve my fate; and, may God have mercy on my soul."

The Ultimate Macabre Souvenir

The morbid fascination with Corder did not end with his death—it intensified.

The Public Dissection

Following the hanging, Corder's body was taken back to the courtroom, slit open along the abdomen, and displayed for public viewing. Over 5,000 people queued to file past the grotesque spectacle. The next day, a select audience of Cambridge University students and physicians witnessed the dissection. It's highly likely they experimented with galvanism (the application of electric currents) on the corpse, attaching a battery to his limbs to demonstrate muscle contraction—a scene right out of a Frankenstein novel. Phrenologists examined his skull, declaring him profoundly developed in areas like "secretiveness, acquisitiveness, destructiveness," and lacking in "benevolence or veneration."

The Skin-Bound Book

The most enduring and bizarre artefact is the book. The skin from Corder’s corpse was reportedly tanned by surgeon George Creed and used to bind a copy of the official history of his own trial. This macabre volume, along with a bust of Corder, is now displayed at Moyse's Hall Museum in Bury St Edmunds.

The Skeleton

Corder’s skeleton was reassembled and publicly exhibited as a teaching aid, a grim reminder of his crimes, for over a century. It was removed and cremated in 2004, finally ending the criminal's physical journey 176 years after his execution.

Dave Brewis Interview: The Burry Man, Haxey Hood & The Future of British Folklore

We had the distinct honour of welcoming documentary filmmaker Dave Brewis to the Wyrd Wessex show. Dave’s work, particularly his six-part series Gatherings, holds up a mirror to the extraordinary, enduring traditions of the British Isles.

Having spent years documenting over a hundred different folk customs, Dave distilled this immense archive into a unique documentary series that completely strips away the presenter and the narrator.

The Ethos: Custodians, Not Commentators

Dave’s goal was to shift the focus away from the typical media labels—"weird," "eccentric," or "quaint"—and towards the participants themselves.

“My approach is observational documentary—show, not tell,” Dave explained. “It’s not very in vogue in this attention economy, but I still feel it should have a place within audio-visual language. For this subject matter, especially living folklore—real people coming together for specific reasons—the observational approach is ideal. This is a place for the custodians, and not the commentators.”

This unmediated style stands in stark contrast to how these events have often been treated by mainstream media, from the patronising tone of early Pathé newsreels to the "feel-good bit" at the end of the evening news.

“The idea that it’s weird and strange, I don't really buy,” Dave asserted. “They're not doing it necessarily for traditional reasons as much as they are doing it because the next one's around the corner and it's really fun and everyone enjoys it. That's how these things self-perpetuate.”

The Spark: From Wacky Stunts to Deep Traditions

Dave’s initial interest in this subject was almost accidental. While living in Paris and running his production company, an American broadcaster asked for "offbeat content." Dave quickly noticed two distinct categories:

  1. Wacky, modern stunts (bog snorkelling, world hen racing).

  2. The older, richer rituals and annual games.

Over six years of covering both, he found himself drawn deeper into the latter. He was intrigued by the inherent themes of community, continuity, and sense of place.

His first series on Britain did well in France, whose audiences admired the self-deprecating British sense of irony—the French call it d'eze et de grais, or "daftness with grace." This national trait allows for "World Championships" that no other nation would conceive of, but Dave noted this humour is often missing when discussing the deeper traditions.

Selecting the Six: From the Burry Man to Haxey Hood

Dave’s documentary series covers six remarkable events: The Burry Man, Rushbearing, Horn Dance, Jethart Hand Ba', Rye Bonfire, and Haxey Hood. The selection was deliberate:

  • Abbot’s Bromley Horn Dance: Regarded as England’s oldest traditional dance, it was a "no-brainer" as the poster child for such events.

  • Haxey Hood: Chosen for its intense, mass participation, as well as an "extra layer of folklore" linked to its formerly isolated community.

  • Rushbearing (Sowerby Bridge): Selected for its spectacular location in the Upper Calder Valley—the contrast between the dark mills and beautiful valleys—and the visual drama of the huge rush cart.

  • Bonfire (Rye): Rye was chosen over larger, more dispersed events like Lewes because it’s more family-oriented, has fewer barriers, and features the unique tradition of burning its boats.

Dave also touched on the stark contrast between these events and those abroad, like the fire festival in Catalonia or the surreal de la Fête de l'Ours in the Pyrenees, where people chase and "shave" a bear—traditions that face less health and safety red tape than modern British equivalents.

The Artistic Goal: Enduring Records

When asked if the films were intended as an archival record or a promotional tool, Dave stated his aim was purely artistic:

“Just hold a mirror up to what actually happens and make authentic films so that others could take a look and peer in and hopefully come out of them a lot more informed... I really wanted to make films which I could take back to the communities themselves, show them and have them feel that they were an authentic representation of what actually goes on.”

Dave confirmed that this goal was met, having received buy-in from all the communities, which he considers the true measure of success.

He learned that the most striking thing about these events is the human warmth they generate. No one is participating for commercial gain; they are there simply because it’s something the community enjoys and is theirs.

“It serves to show six individual events. It’s way more about regional identity than national identity,” Dave concluded. “Folklore is trending, for sure. I would just ask audiences to go a little bit deeper than the aesthetic and look at what’s actually going on, because it’s pretty warm and quite healing, I think.”

What’s Next?

Dave is currently taking a short break before looking ahead. He sees scope for a Series Two that might cover:

  • Northumberland: A deep dive into the stories, myths, and unique instruments (like the Northumberland pipes) of his home county.

  • Progressive Folklore: Documenting newer movements, such as the Boss Morris dancers.

  • The Tar Barrels: Dave confirmed he’d love to include the dramatic Ottery St Mary Tar Barrels event.

You heard it here, Wyrdo's! There's plenty more living folklore yet to be documented.

Where to Watch Gatherings

The six-part documentary series is available to buy and stream now in the UK, US, Australia, and Canada:

News Beyond the Wyrd: The Fugitive, The Vicar, and The Schizophrenia Link

As the year draws to a close, the news cycle—much like our world—is proving to be a highly bizarre and often deeply unsettling place. This week, three headlines—one devastating, one chaotic, and one tragic—demonstrated how real-world events are often far stranger than any folklore.

Here is a deeper, independent analysis of the unsettling stories covered recently by Wyrd Wessex.

1. The Slender Man Case: A Troubling Systemic Failure

The high-profile 2014 Slender Man stabbing case has returned to the headlines with a troubling update concerning Morgan Geyser, one of the individuals found Not Guilty by Reason of Mental Disease or Defect (NGRI).

Geyser, who was recently transitioned from institutional care to a Wisconsin group home, caused alarm by cutting their GPS monitoring tag and escaping. Detained 170 miles away near Chicago with a 43-year-old companion, the incident immediately prompted Wisconsin authorities to seek to revoke the conditional release.

The Failure of Monitoring

Analysis of the situation strongly suggests a failure in the transitional care system. Geyser, who has spent over half their life in custody and struggles with schizophrenia, was reportedly communicating with an older companion, raising concerns that a vulnerable adult was being misguided or exploited. The inability of the group home to adequately monitor the transition—resulting in the individual's unsupervised flight—highlights the profound, systemic challenges in providing effective, non-institutional care for complex mental health patients.

The legal reality remains that Geyser cannot be sent to prison under the NGRI finding, but now faces the possibility of being sent back to the mental health institution, further underscoring the legal complexity and the lack of suitable long-term solutions for these cases.

2. The Unsettling Link: From Game Show Rivalry to Indefinite Hospital Order

In an almost unbelievable parallel to the Slender Man update, a piece of UK news cemented the unsettling link between mental illness and bizarre true crime.

Former Countdown champion John Cohen was recently given an indefinite hospital order after stabbing a rival contestant, Thomas Carey, at an unofficial tournament in Blackpool. The shocking motive? An argument over an app used to play the classic gameshow.

Despite the surreal nature of the attack, the outcome was deadly serious: Cohen was found unfit to stand trial and is now receiving treatment for schizophrenia.

The two cases—one international, one domestic—both feature acts of extreme violence rooted in undiagnosed or complex mental illness. This disturbing regularity forces us to confront the severe consequences when these conditions are left untreated or when the support structures surrounding released patients are inadequate.

3. Divine Drunkenness? The Vicar’s Smash in Lincoln

For a moment of pure, unpredictable high strangeness, the focus shifts to Lincoln, where a tale of clerical chaos unfolded.

A vicar, Father Sian Hughes, was banned from driving for two years after being caught behind the wheel of the Bishop of Lincoln’s car while almost three times the legal alcohol limit. The subsequent crash saw the Bishop’s car collide with a vehicle belonging to the partner of actress Heather Bell (Clary Grundy in The Archers).

The sheer absurdity of the details—the Bishop’s car being taken, the excessive consumption of 'communion wine,' and the bizarre celebrity connection—gives the incident an unmistakable, if unfortunate, Father Ted quality, proving that sometimes, the weirdest news truly comes from the least expected places.

Conclusion

The news of the week presented a stark contrast between two very real systemic failures—the difficult, complex care of the mentally ill—and the almost theatrical failure of a vicar's sobriety. While the headlines range from the terrifying to the farcical, the one constant is the strange, compelling, and often critical insight into the world we inhabit.

Stay Wyrd.

Krampus: The Anti-Santa – Unmasking the Dark History of Christmas Punishers

Forget the Jingle Bells: The Terrifying Truth of Krampusnacht

It is the Christmas season, and yet, we must forget the festive cheer. Our journey today takes us into chains, birch switches, and the heart of Alpine folklore, where a creature exists not to reward the good, but to punish the naughty. This creature is the Krampus, a monstrous figure who acts as the dark, primal counterpart to Saint Nicholas.

While many outside of Central and Eastern Europe—countries like Austria, Bavaria, and Slovenia—believe Krampus is simply an "evil Santa," this is a modern misconception. Krampus is not an individual; the name refers to an entire class of demonic entities, the plural of which is Krampusse. This creature is typically depicted as a terrifying, horned, half-goat, half-demon, complete with cloven hooves, shaggy dark hair, and often a grotesque mix of one cloven hoof and one human foot, a terrifying marker of his untamed nature.

The word itself, adopted in the 19th and 20th centuries, likely derives from the Middle German word Kralle (claw) or the Bavarian Krampn (dried out and lifeless).

Krampus’s main purpose is straightforward: to scare and discipline. He appears on the evening of December 5th, known as Krampusnacht ('Krampus Night'). While benevolent Saint Nick rewards the good children with gifts, Krampus is there to punish the unruly ones by leaving a switch or coal in their shoes. He uses bundles of birch branches—known as the Ruten—to swat the misbehaving, and legend states the truly wicked are violently shoved into his sack and taken away to his dark lair to be tortured or dragged to hell. The rhythmic, heavy clanging of his chains and large bells serves as the ultimate, chilling warning.

The Furious Saint: The Wyrd History of Nicholas

To truly appreciate the ferocity of the Krampus, we must first understand the sheer power of the figure he accompanies. The original Saint Nicholas was not the jolly, rotund elf of American invention, but a 4th-century Greek Christian Bishop hailing from Myra. His transformation into a patron of children began with immense, stealthy generosity—anonymously providing dowries for three impoverished sisters by tossing bags of gold through a window.

Yet, Nicholas the Wonderworker possessed a terrifying ferocity. We are reminded of the legend from the Council of Nicaea, where he became so enraged by the Arian heresy that he walked right up to the heretic Arius and slapped him across the face. Even more horrifying is the dark French tale of the Pickled Boys, where Nicholas resurrected three boys who had been murdered, chopped up, and hidden in a butcher's barrel of brine, saving them from being sold as ham. This dual capacity for profound charity and righteous, miraculous violence cemented his necessity as the opposite force to the Christmas Devil.

Pagan Roots, Demonisation, and the Battle Against the Bans

The Krampus tradition is a surviving snapshot of what Christmas folklore looked like before it was sanitised, its true origins predating Christianity entirely. Many folklorists link Krampus to the pre-Christian horned figures of Alpine pagan worship, echoing the Roman fauns, Greek satyrs, and even the Celtic god Cernunnos, the horned god of the wild.

Krampus is specifically tied to the myth of the Wild Hunt: the terrifying, nocturnal procession of ghosts and spectral beasts that rides through the winter skies. The figure's chaos, his loud, clanging bells, and his association with midwinter all directly echo this powerful, untamed pagan myth.

With the spread of Christianity, the Church was terrified of this potent, primeval figure. Rather than eradicating him, they demonised him, adapting the figure into the Christian narrative as a devil or demon. This led to centuries of attempts to suppress the tradition:

  • In the 16th and 17th centuries, the Catholic Church actively tried to outlaw the masked, wild runs during the Inquisition, viewing them as clear examples of devil worship.

  • During the rise of Fascism in the 1930s and 40s, the Krampuslauf was suppressed again, as the government viewed him as a degenerate figure of undesirable folk culture.

  • Even today, the battle continues, with reports of Christian leaders in America attempting to ban or stop planned Krampus parades, citing the Church’s long-standing opposition to the devil figure.

This perennial banning only underlines how powerful and unruly a symbol the Krampus remains—he represents the uncontrollable chaos that institutionalised power cannot tolerate.

The Continental Cast of Punishers and the Wessex Mirror

The concept of the saint having a dark enforcer is widespread across Europe, demonstrating that this dual approach to Christmas discipline is the norm, not the exception.

  • Knecht Ruprecht (Northern Germany): Often depicted as a shaggy, dark-robed figure whose face is sometimes blackened with ashes. Unlike the mass Krampuslauf, Ruprecht is a solitary companion to St. Nicholas. He carries bundles of birch switches to beat the naughty, serving as the original "man in the sack" cautionary tale.

  • Perchta (The Alps): A figure far older than Krampus, she is associated with the Yuletide period. Perchta embodies a terrifying dualism, appearing as both a benevolent goddess and a haggard, disembowelling hag. She enforces seasonal social morality, and her truly horrific punishment—earning her the title the Belly-Slitter—was to slice open the stomachs of the lazy, remove their organs, and replace them with stones or rubbish before sewing them up.

  • Hans Trapp (France): This Christmas bogeyman is actually rooted in the true story of Hans von Trotha, a 15th-century knight excommunicated for his greedy and destructive feud with a local abbot. He serves as a spectacular example of historical fact bleeding into folk legend, becoming a villain associated with the Devil.

  • Zwarte Piet (Netherlands and Belgium): This figure is contentious today due to the blackface tradition associated with his appearance. Unlike the ash-smeared Ruprecht, Zwarte Piet is explicitly a literary creation from an 1850 book, owing little to the Church's Devil. His traditional role, however, is undeniably that of the punisher, carrying the roe (cane) and the sack.

This same need for a horned, fear-inducing bogeyman is reflected closer to home in Wessex. The Dorset Ooser was a large, hollow wooden head with horns and a terrifying hinged jaw, kept for the purpose of scaring children and used for public humiliation known as Skimmington Riding. Structurally, the Ooser echoes the untamed Wild Man heritage of Krampus. Furthermore, the Welsh Mari Lwyd (Grey Mare), a bizarre Yuletide hobby horse constructed around a horse’s skull, challenges residents to a ritualistic battle of wits (pwnco) during the festive season.

The Enduring Power of Chaos Resurgent

Krampus hasn't just survived centuries of disapproval; he is absolutely thriving. His revival in the Alpine regions since the 1990s has turned the Krampuslauf into a massive cultural spectacle—no longer a quaint folk festival, but a sanctioned, costumed riot of rhythmic clanging bells, fire, and street theatre that chases and swathes spectators.

This spectacle has fuelled his global spread. The turning point for many in the English-speaking world was the 2015 film Krampus, which cemented his status as the anti-Santa for the pop-culture age. He has become the symbol of counter-culture Christmas, a rebellion against the corporate hyper-consumerism of the holiday.

Ultimately, the cultural embrace of Krampus is a reflection of a primal need. When Christmas offers nothing but fake cheer, Krampus provides a cathartic, visceral, and authentic element of tradition. He is the personification of the chaos that needs to be disciplined before the new year. As Al Ridenour writes, the dark side is required to complete the holiday tableau: "If nothing is bad, nothing is good." The existence of these figures reminds us that the best stories are often those that contain both the greatest fear and the greatest hope.

Why We Love the Dark: A Reverend's Defense of Horror and the Macabre

An In-Depth Interview with Author and Host Peter Laws on The Frighteners, Faith, and the Paranormal

The Cleric Who Loves Gore: Defending the Morbid Streak

For many, the idea of an ordained minister who is also a celebrated horror author seems contradictory. Yet, for Reverend Peter Laws, host of the popular YouTube channel Into the Fog, this juxtaposition is not hypocritical, but essential.

In a recent interview for Wyrd Wessex, Peter—author of the non-fiction work The Frighteners—shared the core question that drove his book: how can a supposedly "nice person" who works in a church happily consume blood, guts, and gore?

Laws argues that this interest in the macabre is not a sign of depravity; it’s a crucial coping mechanism.

"The book is trying to answer a question that I get... 'How can you supposedly be a nice person if you're working in churches and stuff... and yet you're quite happy to watch horrible things?'... I wanted to answer that question for myself and also for millions of other people who... are lovely, ordinary, everyday people. And yet they like blood, guts, gore, and death."

Laws posits that horror and true crime are healthy precisely because they offer a way to process the real terror of existence. "We watch frightening things because often we are frightened people," he notes. By watching a horror film, we are in a safe, controlled environment where we can organise the chaos of our fears into manageable patterns.

The Ethical Line: Art vs. Reality

Does Laws, then, draw an ethical line on what is acceptable? Absolutely, but the distinction is vital:

"I do draw a very hard line where anything exploits another person and causes actual real life violence... you can do in some ways, whatever you like within an artistic context, as long as, you know, it's not hurting anyone."

He rejects the common criticism that enjoying games like Call of Duty leads to real violence. Laws believes we intuitively understand the difference between artistic make-believe and real harm. Citing the gut reaction one has to a small fight kicking off in a pub compared to a gory movie scene, he states: "We know in our hearts that these are two different things."

Furthermore, he cautions against the modern danger of distance. When people film real violence on their phones, the medium itself can create a separation that diminishes our capacity for empathy: "The distance begins... and therefore, that can be a little bit dangerous because then we can cease to care as much about the violence that we're seeing."

Reconciling Faith: God, Humour, and the Bible

Laws's theological stance is one of radical openness. He describes himself as a "creative person" in theology who is too "open minded" to be a fundamentalist. This perspective allows him to reconcile his faith with his morbid interests.

  • The Bible is Horrific: Laws notes that the Bible itself is a "horrific text at times" containing grotesque imagery (particularly in Revelation). He concludes that if God exists, "He acknowledges there's darkness in the world."

  • Nuance Over Judgement: Laws doesn't believe God is "bothered" by an artistic piece like The Texas Chainsaw Massacre. If an omniscient God can create the universe, Laws argues, he certainly understands the nuance of art. Laws's faith is rooted in the New Testament's call to love, not in the Old Testament's more "tribalistic misunderstandings."

  • The Role of Humour: Laws argues that humour is a crucial coping mechanism. Like horror, it allows us to confront and control grim subjects. Laws finds it cruel when institutions deny people this tool: "It's literally like taking away a coping mechanism and telling them, 'oh yeah, fend for yourself without this tool.' And that's cruel, I think."

The Reality of the Paranormal

Laws has moved from being skeptical to a firm believer in the paranormal, driven by his work interviewing hundreds of witnesses on Into the Fog.

"The older I get, the more I think it's real... Sometimes there's people you contact you and say, 'I don't even want you to tell anyone about this. I'm just so traumatised by what happened. I'm trying to understand it.'"

He reserves high praise for cases involving multiple witnesses, such as the compelling Sauchie Poltergeist case from Scotland, where the strange phenomena (including a desk levitating) were seen by teachers and police.

From a theological standpoint, Laws is open to the idea that ghosts challenge the traditional Christian view of the afterlife. He notes the Bible features people who have died but reappear (Moses on the Mount of Transfiguration). He offers a profound alternative theory:

"What happens if we when we see a ghost, we are somehow getting like just a tiny moment of God's eternal mind that we're seeing?"

This ties back to the C.S. Lewis concept of hyper-reality: what we perceive as a wispy ghost might actually be a figure from a dimension so much more real than ours that our reality appears translucent to them.

From Pulpit to Podcast

Laws’s journey from training as a minister to becoming a full-time content creator was planned, not a crisis. He realised his passion lay in creativity and storytelling.

He is not an exorcist or investigator, but a journalist who collects and honours stories.

"I don't want to give people the wrong impression that I'm like a full on like, like exorcist... I'm literally just a like a Peter Haining style of like journalist just collecting, researching, interviewing, and then presenting the stories to make sure they're like honored and valued."

His work is driven by the desire to explore the human condition—whether through a crime novel, a horror review, or the unique blend of humour and community found in his podcast, Creepy Cove Community Church.

Peter Laws is the author of The Frighteners and the host of the popular YouTube channel, Into the Fog. His work and books can be found at http://www.peterlaws.co.uk.

The Lion-Mouse, The Prophetic House & The Gun-Wielding Dog

This week’s collection of strange headlines proves that reality is often much stranger—and much more bizarrely coincidental—than fiction. We delve into reports of animals masquerading as mythical beasts, a chilling house hunt, and unnerving technological advancements that threaten our mental privacy.

1. The County Clare Lion That Was a Very Good Boy

The initial report sent ripples of fear and intrigue across social media: a large, lion-like animal had been spotted in a wooded area in County Clare, Ireland. The involvement of the Irish police (Gardae) only solidified the sense of mystery. Was this a genuine big cat escape? The possibility was certainly Wyrd enough.

The Reality: The supposed lion was quickly and definitively identified as a friendly Newfoundland dog named Mouse.

The Deeper Implication: The dog's unsettling resemblance to a predator was entirely down to human intervention—specifically, a shave. Having its famously thick double coat removed made it look suspiciously like something off the Savannah, which prompted a serious warning from the USPCA. They stressed that shaving a Newfoundland is generally ill-advised, as the double coat is vital for regulating temperature and protecting the dog's skin from the elements. While it may seem amusing to mistake a domesticated dog for a lion, the incident serves as a peculiar reminder of how easily our perceptions can be fooled when dealing with the boundaries of the wild.

2. The Haunted Dream Home Saved By a Tornado

One of the most chilling anecdotes of the week came from a woman in Midlothian, Texas, who believed she had found the perfect family farmhouse. However, the moment they arrived, her children—aged four and six—shrieked that the house was "extremely haunted" and refused to set foot inside. The mother followed her instincts and walked away from the deal.

The Horrifying Coincidence: Years later, she learned that the house had been obliterated by a tornado, completely levelled to the ground with only the flooded storm cellar remaining.

The Takeaway: This story raises immediate questions about whether the children possessed a psychic premonition or simply detected the house's poor structural integrity (a common issue in tornado-prone regions). While the logical mind suggests the tornado was simply an act of nature—wind, not a ghost—the human tendency towards confirmation biastakes over. When something bad happens later, we look back and declare, "That's why we were warned!" Regardless of whether the premonition was supernatural or structural, listening to that warning saved the family from almost certain disaster.

3. The Blue Dogs of Chernobyl (Blame the Porta Loo)

The Chernobyl exclusion zone is already home to various strange phenomena, including wolves that are reportedly developing genetic resistance to cancer. This week, the bizarre reports continued with the sighting of three stray dogs whose coats had turned a distinct, unnatural bright blue tinge.

The Cause: Scientists quickly ruled out a new radioactive mutation. According to the Clean Futures Fund, the culprit was far less dramatic but equally gross: the dogs had been rolling in ooze leaking from a nearby porta potty, coating themselves in the blue chemical additive.

The Context: While this story provides a moment of dark humour, it highlights the continuing weirdness of the zone. The dogs' blue hue may be a chemical hazard, but the backdrop of the cancer-resistant wolves remains a potent, unsettling vision of nature adapting to a post-apocalyptic reality. Whether they're rolling in effluent or evolving defenses, the wildlife of Chernobyl is certainly not conforming to normal biology.

4. Digital Telepathy and the Unintended Consequences of the Act of Dog

The final roundup contrasts a frightening technological leap with a chaotic accident:

The Minority Report Scenario

Researchers successfully achieved "mind captioning" by using non-invasive MRI scans to interpret a person's thoughts and translate them into "eerily precise sentences." This technology can even describe videos a volunteer is merely recalling. While framed as an aid for communication impairments, the chilling ethical implications are immediately obvious: the move toward digital telepathy and the potential for surveillance and manipulation are no longer sci-fi, but a very near-future reality reminiscent of Minority Report or certain Black Mirror episodes.

The Act of Dog

In a stark reminder of humanity's more primal flaws, a Pennsylvania man was hospitalised after being shot in the back by his own dog. The animal reportedly jumped onto the bed and set off a loaded shotgun that the victim had placed there while cleaning it. The story underscores the dangerous and often chaotic consequences of poor firearm safety. The police are investigating the incident, leading to the bizarre final conclusion: was this a human crime, or truly an Act of Dog?

Stay Wyrd

Thank you for joining us for the Wyrd News Roundup. Keep an eye out for strange news and stranger coincidences in your own life!

Don't blame the owls!

Smugglers, Spectres, and the Mer-Chicken: Unearthing the Wyrdness of Bournemouth & Pool

The Dorset coastline, famed for its sandy beaches and blue waters, holds a deep secret. Venture beyond the sun loungers and you'll find a world of audacious crime, literary relics, and genuinely baffling hauntings. Join us, your Wyrdo's, as we delve into the dark, weird heart of Bournemouth and the ancient port of Poole.

Part I: Bournemouth — Engineered Air and Gothic Relics

Bournemouth was not built by accident; it was meticulously engineered in 1810 as a health and leisure resort. Even the town’s famous pine trees were planted for a medicinal purpose—their vapours were intended to help cure people with chest problems. They literally engineered the air!

Despite this planned, respectable exterior, its history is anything but ordinary.

The Smuggler King Who Faked His Own Funeral

Before the Victorians arrived, the area was a barren heathland, the perfect domain for criminals. The most notorious was Isaac Gulliver, the self-proclaimed Smuggler King.

Born a Wiltshire weirdo, Gulliver ran a massive criminal enterprise in the 18th century, reportedly shifting over £100,000 worth of smuggled goods a year (millions in today's currency). His network was sophisticated, dealing in silks, fine wines, and tea.

His masterstroke, however, was his escape. When authorities finally closed in, Gulliver and his family faked his death. They held an elaborate funeral with a closed casket and a full procession, which the customs officials watched with respectful solemnity. Gulliver was literally carried away from his arrest right under their noses. He later secured a royal pardon, went legit, and died a wealthy man in 1827. Even today, some claim to hear the sound of his lone horse galloping on dark, foggy nights, making one final, restless run.

Mary Shelley's Gruesome Relic

Just as bizarre as its criminal past is Bournemouth's connection to one of the most famous figures in Gothic literature: Mary Shelley, the author of Frankenstein.

She is buried at St Peter's Church. But it is the bizarre relic resting in her vault that truly embodies the Gothic spirit. When her husband, the poet Percy Bysshe Shelley, drowned off the coast of Italy, his body was cremated on the beach. According to those present, the fire was so fierce that while the body was reduced to ashes, one thing remained: his intact heart.

Mary Shelley cherished this gruesome object, wrapping it in silk and carrying it with her for decades. Historians debate if it was truly the heart or perhaps a calcified liver, but ultimately, it doesn't matter. The beautiful, horrible truth is that Mary thought it was his heart and kept the preserved relic with her until she died—a deeply weird and fitting end for the author of a story about reanimating the dead.

The Headless Moaning Maharaja

You might think a former military hospital would be haunted by soldiers, and you'd be right (a weary WWI soldier is said to take a drink from the basement sink). However, the most bizarre haunting at Bournemouth Town Hall—a building converted into a military hospital during WWI—is on the fourth floor.

Here, a spectral figure is reportedly seen sitting in a chair: the ghost of a headless, moaning Maharaja, clad in full ornate Indian uniform. How does a ghost lose his head? And how does he moan without it? No one knows. But as far as unique ghosts go, a headless, moaning Maharaja in the middle of a seaside town certainly takes the crown.

Part II: Poole — Maritime Misery and a Chicken Mystery

Just down the coast, the ancient port of Poole—with its deep roots in maritime life, piracy, and smuggling—is steeped in its own layer of weirdness.

The Crying Twins and the Chatty Loo Spectre

The Crown Hotel on Market Street is the cornerstone of Poole’s spectral clientele. The most tragic tale involves the ghostly twins of a former owner, said to have been kept chained and hidden in an upstairs room. Guests and staff report hearing the chilling sounds of children crying, yelling, and innocently playing in the empty courtyard.

Yet, the Crown's hauntings also feature a level of charming absurdity. One of the most famous anecdotes involves a guest having a perfectly mundane chat with a man in the toilet, only for the man to dramatically vanish mid-sentence. Apparently, the shock was so intense the witness needed a restorative glass of brandy to recover. That’s how you know it’s a good ghost—it makes the customer need hard liquor!

The Ultimate Coastal Cryptid: The Mer-Chicken

Poole’s maritime history boasts genuine rogues, like Captain Harry Pay, the 15th-century privateer who raided the coasts of France and Spain. But the most baffling piece of local folklore belongs to the Isle of Portland nearby.

According to 15th-century chronicles, a peculiar beast rose from the water: a Mer-Chicken.

Yes, a half-man, half-chicken creature. It reportedly rose from the sea, rode in the direction of north, south, east, and west, before returning down into the water, never to be seen again. Was it a genuine cryptid, a medieval warning, or just a chicken someone tried to throw into the water?

One could suggest that the mer-chicken was in the sea because it couldn't cross the road, but it certainly secures Portland’s place in the Wyrd Wessex pantheon.

Uncanny and Folk: Modern Weirdness

Finally, the region continues its engagement with the weird and wonderful.

  • The Wessex Museums partnership is currently touring the fantastic Uncommon People: Folk Culture in Wessexexhibition, curated by Simon Costin of The Museum of British Folklore. It’s a brilliant look at how folk culture has been adopted and reimagined in the area. Catch it at Poole Museum from late October 2025 to 18th January 2026.

  • The recent live show of Danny Robins’ Uncanny nearby proved that while audiences might be split on ghosts and UFOs, the line is drawn at cryptids. A fascinating insight into modern belief!

From smugglers' secrets to headless spectres and the ultimate fowl-play cryptid, the Bournemouth and Poole area proves that even the sunniest resorts have a deep, enduring, and utterly bizarre underbelly.

The Weird News Roundup: Big Cats, Time-Slips, and A TikTok Doppelgänger Conspiracy

In the world of the mysterious and unexplained, the past week has delivered an extraordinary mix of bizarre sightings, grim discoveries, and social media conspiracies that challenge reality itself.

From phantom cryptids roaming the British countryside to the possibility that your deepest gut feeling is a memory from the future, here are the most unbelievable headlines making the rounds.

🐾 Bombshell Sighting: Is a Big Black Cat Roaming the UK?

The UK’s long-standing legend of the phantom big cat gained new traction this week following a remarkable sighting. An observer reported seeing a large, sleek black cat—confirmed to be the size of a Labrador, yet distinctly feline—stalking a hedge line near the railway between Swindon and London on November 1st.

Such sightings often fuel rumours of escaped exotic pets or even surviving prehistoric wildcats. Given the cat was unfenced and wandering in a largely rural area (likely Oxfordshire or Wiltshire), the question remains: is the English countryside home to a large, unidentified apex predator? If you were travelling through that region on the 1st of November and saw anything unusual, authorities and enthusiasts alike want to know.

🌊 The USO Threat: Unidentified Submersible Objects Swarm US Coasts

Forget UFOs; the latest national security concern is deep beneath the waves. A popular reporting platform is logging nearly 9,000 sightings of Unidentified Submersible Objects (USOs) along US coastlines.

These objects are reportedly not just fast, but capable of making instant directional changes and exhibiting "trans-medium capabilities"—meaning they can transition seamlessly from high-speed travel underwater to flight in the air. For experts, the question is whether these are advanced, unacknowledged military technologies, or if the planet's vast, largely unexplored oceans are providing the perfect hiding spot for something far more alien.

⏳ Is Déjà Vu Really a Memory from the Future?

Prepare for a concept that will melt your brain. New theories in quantum physics suggest that your everyday experience of déjà vu or a potent gut feeling might not be a glitch in the Matrix, but rather your consciousness literally "time-slipping."

The idea proposes that since time is not linear, your brain may be pulling future memories back into your current experience. That uncanny feeling that you’ve done something before, or a flash of intuition that something is about to happen, could be your future self informing your present self. Suddenly, that uneasy feeling before a major event feels a lot more serious!

💀 The Darker Side: Desert Dumping and Afterlife Revisions

Not all strange news is about cryptids and time travel. A grim story emerged from Nevada where over 300 mounds of cremated human remains were discovered dumped illegally in the desert. While authorities suspect commercial funeral businesses cutting corners, the disrespectful nature of the find is disturbing.

On a related note, a woman shared a profound near-death experience (NDE) during childbirth. Her testimony included meeting her deceased father, who imparted a startling lesson: "Heaven isn't a real place." Instead, he described the afterlife as a non-physical, energetic reality. Adding to the spiritual complexity, she later became convinced her son was her father's literal reincarnation, complete with specific behavioural echoes of the deceased man.

🎭 The Kevin James Conspiracy: An Art Teacher or a Genius Marketing Stunt?

Finally, the lightest and perhaps most debated mystery to hit social media: the sudden viral ascent of Matt Taylor, an art teacher on TikTok. The reason for his fame? He is the uncanny, indistinguishable double of actor Kevin James (of King of Queens fame).

Fans are divided: Is he a perfect doppelgänger, or is this an elaborate, high-budget, and long-game promotional stunt for an upcoming Kevin James project? The conspiracy deepens with the rumour of a future film where James plays a character named 'Matt.' Taylor's refusal to acknowledge the comparison only fuels the fire, making this a masterclass in modern digital marketing—or just a hilarious coincidence.

The Scholar King and the Devil's Advocate: How James VI/I Weaponised Fear to Forge His Legacy

When most picture royalty, they see a warrior. But King James VI of Scotland (later James I of England) was different. Born sickly and intellectually driven, James found a way to prove his divine authority not on the battlefield, but by declaring a personal war against the ultimate foe: Satan. His chosen weapon? Ink.

This need to demonstrate strength through scholarship became his life’s greatest mission, one that tragically justified the state-sanctioned violence against thousands across Britain and beyond. James cultivated a strict theological position: any power or charm not derived from God must come from the Devil. This meant that any use of magic—whether a folk healing charm or a political curse—was not merely superstition, but high treason.

🌪️ The Storm That Proved the Plot

James’s abstract fears became brutally concrete in 1589 during his marriage to Anne of Denmark. When severe, unseasonable storms battered the royal fleet, forcing Anne to land in Norway, James saw not bad luck, but a deliberate satanic assault. This voyage, which required the King himself to brave the North Sea to retrieve his bride, became the literal proof of treason that underpinned the ensuing terror.

Rumours spread that a coven of witches was responsible for the tempests, with talk even emerging of one witch sailing into the Firth of Forth on a sieve. This panic quickly became international; trials in Copenhagen resulted in the execution of at least twelve women accused of sending demons in barrels to wreck the royal fleet. This shared, cross-cultural terror set the stage for the ensuing bloody events in Scotland.

🔥 North Berwick and the Cost of Confession

The ensuing North Berwick Witch Trials were entirely driven by the King’s terror. Thanks to the 1563 Scottish Witchcraft Act, simply consulting with folk healers was a capital offence. The confessions began when healer Geillis Duncan, tortured with thumbscrews, implicated Agnes Sampson, another respected healer.

Agnes’s subsequent interrogation was catastrophic for her and pivotal for James. Subjected to extreme duress, including pilliwinks (finger-crushing devices) and the scold's bridle, Agnes finally broke. Her confession confirmed James’s deepest anxieties: she admitted collaborating with the Copenhagen coven to sabotage the Queen's arrival. Even more terrifying for the King, she recited the precise, private words he had exchanged with his Queen on their wedding night. This was the moment James became utterly convinced. Agnes likely told him the Devil himself claimed the King was his greatest enemy, providing James with the narrative he craved.

The trials also offered a perfect political opportunity. Geillis implicated Francis Stewart, the Earl of Bothwell, a powerful cousin with a claim to the throne, framing him as the Devil’s chosen agent. While Stewart eventually escaped, the literate schoolmaster, Dr. John Fian, alleged to be the coven’s clerk, was tortured so severely—nails ripped out, legs crushed in the 'boot'—that he eventually confessed before being strangled and burned.

✍️ Daemonologie: The Royal Mandate Against Doubt

Driven to solidify his position as both scholar and Devil’s champion, James authored Daemonologie (1597). This was not a balanced text; it was a fierce, royal assertion of power structured as a dialogue to systematically silence sceptics like Reginald Scot.

James laid down the law on why witches exist and what they do:

  • Existence: Because God’s law prohibits them from living.

  • Temptation: The Devil lures people through three internal passions: curiosity, revenge, or greed.

  • Maleficium: The greatest crime was maleficium—the actual physical harm caused by magic, such as raising storms, an act that became synonymous with high treason against the King.

The text revealed a deeply rooted misogyny, echoing the earlier Malleus Maleficarum: women were weaker and thus far easier for the Devil to deceive. This created a clear class division. Literate men engaging in occult study, like the court astrologer John Dee, were generally deemed merely "curious" and often left unharmed, despite their dealings with spirits. Conversely, poor 'cunning women' using folk charms for healing or divination were guilty of plotting treason and consorting with the Devil, often forced to confess to the highly sexualised, degrading ritual of the Kiss of Shame(Osculum Infame).

🧚 The Battle for Belief: Fairies vs. Devils

James was adamant that local folk beliefs in beings like the Fairy Queen (or 'our good neighbours') were just more of the Devil’s smoke and mirrors. When accused healers confessed to receiving knowledge from these spirits, James dismissed it as delusion. For him, there was no nuance; any unapproved spiritual interaction was the Devil transforming himself to deceive the witch.

Concluding Daemonologie, James stated that all practitioners, and even those who only consulted them, were equally guilty. His ultimate guardrail was that God would never allow an innocent person to be killed in a trial, thus validating every execution as righteous.

💀 The Lingering Echoes of Persecution

The legal machinery James established took on a horrific life of its own. It fuelled the Great Scottish Witch Hunt of 1661–1662 and profoundly influenced England. During the English Civil War, opportunists like Matthew Hopkins, the 'Witchfinder General', successfully exploited James’s legal framework, leading to an estimated 230 to 300 executions in just two years using barbaric techniques like the Swimming Test and Pricking Test.

The shadow of James’s obsession reached even into the theatre; Shakespeare’s Macbeth, written for James’s court in 1606, opens with the 'weird sisters' summoning storms, a direct nod to the North Berwick trials.

Though Parliament repealed the harshest laws in 1736 (making fraud, rather than Devil worship, the crime), the final vestiges of James’s legacy lasted until 1951. The last person jailed under the Witchcraft Act was Scottish medium Helen Duncan in 1944, convicted for revealing sensitive wartime naval information during a séance.

Today, campaigners honour the thousands lost with the Witches of Scotland Tartan, using its colours—black and grey for ashes, red and pink for legal tape—to push for an official pardon. The Wyrd was never fully extinguished, surviving not as satanic conspiracy, but as deeply rooted folk belief, constantly battling the iron logic of the crown.

Beyond the Ordinary: Unexplained Wonders & Strange Discoveries from Around the Globe

Ever feel like the world is a bit… stranger than it lets on? Beyond the headlines and daily routines, there's a current of the bizarre and the unexplainable flowing just beneath the surface. From weeping icons to ghostly apparitions and even the outer reaches of scientific possibility, here’s a roundup of some truly head-scratching tales that challenge our perceptions of reality.

The Miraculous Myrrh-Streaming Jesus

In a quiet corner of Honolulu, a seemingly ordinary $20 mass-produced image of Mary and the young Jesus has been attracting believers for decades. According to Father Nectarios Yangshan, this icon has been continuously oozing a sticky, fragrant substance since 1997 – a sweet-smelling resin described as myrrh, reminiscent of roses.

The story goes that Father Nectarios first noticed an overwhelming scent in his office, even observed his cat reacting to it before he himself could identify the source. Eventually, he discovered droplets of the resin on the icon. Since then, the image has reportedly been attributed with numerous miracles, including the healing of blindness, cancer, paralysis, and even demonic possession. Visitors flock to the Holy Fyotokos of Ivaran Russian Orthodox Church, dipping cotton swabs into the sacred substance. This humble icon has traveled to over a thousand churches globally, venerated by millions. Whether a genuine miracle or something else entirely, the devotion and stories surrounding it are undeniably compelling.

Ghosts in the Machine: The Tesla Cemetery Mystery

Modern technology often brings us closer to understanding the world, but sometimes it just makes things weirder. A peculiar phenomenon has been reported by Tesla owners driving through cemeteries: their car's 360-degree camera system displays phantom human figures on the dashboard screen, even when no one is physically present.

While some might immediately jump to the conclusion of spectral encounters, the most common explanation points to a fascinating glitch in artificial intelligence. The unique and varied shapes of tombstones and monuments in a graveyard might be confusing the car's sensors, leading its AI to misinterpret these static objects as human forms. It's either a spooky, high-tech haunting or a reminder that even advanced AI can sometimes get it hilariously wrong!

Haunting Hospitality: The Jamaica Inn's Eerie Whistle

For those who love a good ghost story, few places hold more appeal than an ancient inn with a dark past. Perched on Bodmin Moor in Cornwall, the Jamaica Inn has been a site of mystery and intrigue since the 1750s, famously associated with smugglers and eerie tales. It's often cited as one of the UK's most haunted hotels.

Recently, a travel reviewer shared their spine-chilling experience: while in their room, they heard a very loud, distinct male whistle coming from a corner near the bedroom. Their partner confirmed they hadn't made the sound, leaving them feeling distinctly "on edge." Whether it's the lingering echoes of its smuggling past or something more supernatural, stories like these ensure the Jamaica Inn remains a magnet for those seeking a brush with the unexplained.

The Butt-Breathing Breakthrough: Science Gets Weird

Now for something completely different, and perhaps a little uncomfortable! Scientists are exploring a groundbreaking (and quite frankly, bizarre) method for delivering oxygen: through the rectum. What started as an Ignoble Prize-winning study in 2024 by Japanese researchers from Osaka University, observing that animals like turtles and certain fish, and even mammals like rodents and pigs, can absorb oxygen through their back ends in emergencies, is now moving to human trials.

The idea, called enteral ventilation, aims to offer a last resort for people with severe respiratory failure. In a recent study, 27 healthy men volunteered to hold varying volumes of non-oxygenated perfluorocarbon liquid in their rectums for an hour. While some complained of discomfort and bloating at higher volumes, the procedure was deemed safe. The next step is to test oxygenated liquid to see if it can indeed permeate the intestinal wall and boost blood oxygen levels. So, while you might not be butt-breathing anytime soon, science is pushing boundaries in truly unexpected ways!

The 'Oumuamua Enigma: Alien Visitor or Cosmic Rock?

The mysterious interstellar object 'Oumuamua continues to fuel speculation. First detected zipping through our solar system, its unusual cigar shape and non-gravitational acceleration led some, like Harvard's Avi Loeb, to suggest it could be alien technology – a "light sail" or even a probe.

Recent chatter even proposed a close encounter with Earth around October 29th, sparking excitement (and a little panic!). However, NASA data suggests 'Oumuamua's closest approach to Earth was actually in September 2017, and its next closest point to the Sun is around October 30th – still millions of miles away and posing no danger. While its origins remain debated, the "Manhattan-sized" object serves as a powerful reminder of the vast, unknown wonders of our universe and the potential for future discoveries that could reshape our understanding of cosmic life. Some scientists even suggest tracking such objects could help us develop better defense systems against hazardous asteroids.

Whispers from the Past: English Heritage Ghost Stories

Finally, returning to the realm of the spectral, English Heritage sites across the UK are proving to be hotbeds of paranormal activity. From ancient castles to Roman ruins, staff and visitors have reported a plethora of unexplained phenomena.

At Chester Castle, a security guard's fearless dog refused to leave the car, and cameras later recorded a "faceless figure" walking where a medieval gatehouse once stood. Other accounts include a disembodied hand at Belsay Hall, inexplicable piano music drifting through the walls of Bolsover Castle, and soldiers seemingly disappearing into the woods at Wrest Park. English Heritage, wisely, remains neutral on whether these are actual ghosts or something else, recognizing that such tales only add to the rich, mysterious tapestry of these historic landmarks.

The world, it seems, is far from mundane. Whether you believe in miracles, ghosts, aliens, or just the extraordinary limits of science, these stories offer a fascinating glimpse into the endless possibilities beyond the ordinary. What strange tales have you encountered?

Remember, Remember... The Gunpowder Plot and the Rise of a Wyrd Icon

Every 5th of November, Britain lights up. Bonfires roar, fireworks hiss, and an effigy—the Guy—is tossed onto the flames. But how many of us truly know the dark, bizarre, and utterly tragic story of the man whose failed act of terrorism became a national holiday?

In our latest episode of Wyrd Wessex, Andy and I dive into the legendary tale of Guy Fawkes and the Gunpowder Plot of 1605. It’s a story of religious fervour, spectacular failure, and a dramatic, bloody end that cemented a man's face as the ultimate symbol of rebellion.

The Architect vs. The Explosives Expert

Growing up, we all thought Guy Fawkes was the evil mastermind. Wrong! The true, desperate architect of the plot was Robert Catesby, a man driven mad by the persecution of English Catholics under King James I. Guy Fawkes (or Guido, as he was known abroad) was merely the indispensable explosives expert—the man with the unique skill set necessary to blow up Parliament.

It was Catesby who assembled a core group of disillusioned gentlemen, swore them to secrecy at the Duck and Drake Club, and conceived the audacious plan: eliminate King James, his ministers, and the entire ruling class in one colossal explosion, and install a puppet Catholic Queen.

An Embarrassing End to a Daring Plan

The plot was years in the making, fraught with delays, floods in the tunnel (courtesy of the River Thames), and close calls. Yet, after acquiring 36 barrels of gunpowder—enough, as we discovered, to blow Parliament up 25 times over—the conspirators' fate was sealed not by surveillance, but by human weakness.

It all unravelled with the Monteagle Letter, the cryptic warning that sent Lord Monteagle scurrying to Robert Cecil. But the most incredible twist? After fleeing North and being cornered at Holbeck House, the desperate conspirators, lacking Guy's expertise, tried to dry out their damp gunpowder by the fire... which resulted in a catastrophic, almost slapstick, explosion that blinded John Grant and severely injured Catesby.

It's hard not to chuckle at the sheer incompetence, even as the tragedy of Catesby's final, desperate, and dramatic death is laid bare.

The Icon of Anarchy

The aftermath is the stuff of brutal legend. Guy Fawkes, captured in the cellar with the fuse in his pocket, became the face of the plot. He endured unimaginable torture in the Tower of London—the manacles, the cramped Little Ease cell, and finally, the notorious rack—all to extract names that the authorities already knew.

His final execution, where he miraculously broke his own neck on the scaffold, spared him the full horror of being hanged, drawn, and quartered. This defiant, unyielding last act ensured that his name, not Catesby’s, would become synonymous with the rebellion.

It's fitting that a man whose goal was total destruction is now celebrated with explosives every year. From the V for Vendetta mask to the modern Bonfire Night—a festival that was once legally required in the UK to celebrate Protestant supremacy—the story of Guy Fawkes is a constantly evolving piece of national folklore.

So, next time you’re watching the fireworks, spare a thought for the tall, charismatic Wyrdo who nearly changed history forever.

Have a listen to the full episode of Wyrd Wessex to get all the dark, intricate details of this iconic moment in history!

Stay Wyrd!

The Shocking Legacy of Ghostwatch and the Synth-Construct Politician Theory

Welcome to the AfterWyrd deep dive! This week, the Wyrdo's tear apart a piece of TV history that blurred the lines between fact and fiction: the infamous 1992 broadcast of Ghostwatch. From trusted presenters to the terrifying entity known as 'Pipes', we explore how this mock-documentary changed the horror landscape forever. Plus, we round up the very weirdest news, including a bizarre AI theory suggesting a certain politician is actually an alien.

Ghostwatch: How 90 Minutes of Television Traumatised a Nation

Broadcast on Halloween night 1992, the BBC’s Ghostwatch remains one of the most controversial and effective pieces of psychological horror ever made. The show was so perfectly executed as a live news broadcast that it managed to convince over 11 million viewers that they were watching a genuine, terrifying paranormal investigation unfolding in a Northolt home.

The show was the brainchild of writer Stephen Volk, who envisioned it as a series but was heavily inspired by the famous Enfield Poltergeist case. Its commitment to the live format—complete with technical hitches and outside broadcasts—was key to its success.

The Power of Trusted Faces

What made Ghostwatch so utterly compelling was its brilliant, almost audacious use of trusted British presenters. Placing familiar faces like Michael Parkinson, Sarah Greene, and Mike Smith into seemingly real, escalating events convinced a massive swathe of the public that the haunting was legitimate.

The Wyrdo's debated how much this helped the show’s unsettling realism: "They all act as themselves, essentially. And so these are, like I say, trusted names and people just regard Craig Charles pratting about, he doesn't believe any of this nonsense. And that made it feel kind of more real."

The terror centred on the Early family—mother Pamela and her daughters Susan and Kim—who were tormented by an entity they called Pipes, said to live in the sinister boarded-up cupboard under the stairs (amusingly referred to as the 'glory hole'). The terror slowly escalated from knocks and moving objects, mirroring Enfield, before the horrifying reveal. Pipes was the spirit of Raymond Tuntstell, a disturbed individual who had committed suicide in that very cupboard after being partially eaten by his own cats. A truly grim Wessex legend in the making, if you ask us.

Tricks, Possession, and the Tragic Fallout

Writer Stephen Volk even had incredibly subtle ideas to enhance realism, such as embedding a high-pitched sound in the audio track that was supposedly inaudible to humans, but disturbing to pets. The concept was that people’s dogs or cats at home were supposedly reacting strangely for no apparent reason, adding to the psychological terror.

The show’s climax, in which Parkinson himself appears to become possessed, was too much for many. Over 11 million viewers tuned in, and the sheer level of conviction was clear when Michael Parkinson's own elderly mother called the BBC switchboard, believing her son had genuinely become possessed on live television.

However, the broadcast had genuinely tragic real-world consequences. A young man, 18-year-old Martin Denham, took his own life, with his distress linked to the events of the show and the knocking pipes in his own home. This led to a huge backlash, over 30,000 official complaints (including another one from Parkinson’s mother!), and an official ruling from the Broadcasting Standards Commission. While never officially 'banned', the show has been suppressed by the BBC and has never been repeated in full on UK television since.

The Enduring Influence

Despite the controversy, the impact of Ghostwatch is undeniable. It demonstrably paved the way for the found footage genre in cinema (The Blair Witch Project, Paranormal Activity) and inspired later paranormal investigation shows. More recently, the creators of the critically acclaimed Zoom-based horror film Host cited Ghostwatch as a major inspiration, even including the original broadcast date (31101992) as a subtle nod in their film. A true cult classic for Wyrdo’s everywhere.

Wyrd News Round-Up: Aliens, Bored ETs, and Ed Gein

Keir Starmer: Alien Synth Construct?

In a story straight from the highbrow publication, The Daily Star, a new theory suggests UK politician Keir Starmer is a "highly advanced synth legal unit" sent from an alien planet called 'Consensus'.

The bizarre claims come from Google's own AI, Gemini, which pokes fun at the politician's lack of spontaneity and robotic delivery, suggesting:

  • His measured public speaking is due to the limitations of his core programming and is running on a highly efficient text-to-speech algorithm.

  • His internal process takes precisely 1.7 seconds to analyse a question before formulating a reply that is "technically correct, but entirely devoid of human warmth."

  • He is not powered by food or rest, but by a subtle energy drain on Earth political apathy.

Bored Aliens: The New Fermi Paradox Theory

In slightly more credible science news, The Guardian’s science section reports on an intriguing new possibility for the Fermi Paradox (the conspicuous lack of alien life). The theory of "radical mundanity" suggests that if aliens exist, their technology may only be marginally better than ours, and they simply got bored and stopped trying to contact Earth.

As one scientist put it, they might have an 'iPhone 42 rather than an iPhone 17'—meaning they haven't harnessed physics beyond our comprehension, and space exploration is still incredibly time-consuming and expensive, providing little motivation to continue for millions of years.

Halloween Horror: The Ed Gein Costume

Finally, a bizarre story about a woman who is apparently planning to dress her four-year-old daughter up as the notorious serial killer Ed Gein for a school Halloween party. The mother defended the choice by saying Gein has "turned into a horror character" thanks to a recent Netflix documentary, and she simply loves to "hop on a trend." We'll just leave that one right there.

The Enfield Poltergeist

The year is 1977. The UK is split between the pomp of the Queen's Silver Jubilee and the spitting anarchy of punk rock. Culturally, the world is still reeling from The Exorcist, a film that dragged the supernatural into the mainstream. Against this backdrop of anxiety and spectacle, one mundane council house in the London borough of Enfield was about to become the epicentre of the most famous and fiercely debated haunting in British history.

This is the story of the Enfield Poltergeist, a case that remains a tangled knot of flying objects, chilling voices, and desperate human frailty.

The Cultural Crucible of 1977

The events began on August 31st, 1977, at the home of the Hodgson family. While the first knocks sounded like a simple disturbance, the historical context is crucial. As Andy rightly pointed out, the original four loud knocks on the party wall had a chilling historical precedent: it was a widespread practice during the Blitz for neighbours to check on each other during air raids. This once-familiar sound of community now became a signal of pure, unexplainable fear, suggesting a deeply ingrained anxiety was being triggered.

The police were called, but it was the neighbours, the Nottinghams, who were the first to witness the paranormal. Builder Vic Nottingham initially scoffed until the knocks started again—seemingly following him around the outside wall. A female constable, Caroline Heaps, later saw a chair come through a kitchen door and slide across the floor in front of seven witnesses. The police, unable to find a rational explanation, left the terrified family huddled in the living room.

From Flying Toys to Targeted Violence

After the initial flurry of moving furniture, the phenomena rapidly escalated into what Playfair dubbed a "constant barrage of the unsettling."

  • Lego and Marbles: Small objects were not merely falling; they were reportedly shot from an unseen force. The incident where a photographer took a Lego brick directly to the face was particularly compelling—it required a noticeable force that would be difficult to generate discreetly.

  • The Sofa Incident: On Janet’s 12th birthday, the heavy green sofa rose about four feet in the air, flipped over backwards, and crashed upside down, with the girl sitting on it. This was a physical assault.

  • The Choking: The most sinister moments involved the poltergeist actively attacking Janet. A curtain was reported to have wrapped itself tightly around her neck, seemingly attempting to strangle her—an act of malice far beyond mere mischief.

  • Verifiable Links: The case gained unexpected depth when Janet's subconscious drawings led to the revelation of the Watsons. The fact that an elderly man named Watson had lived there, died of a haemorrhage, and that his wife, Mrs Watson, had died of a throat tumour—matching Janet's terrifying first drawing—provides a verifiable link to the house’s history that is difficult to dismiss as mere chance.

The Voice: The Ultimate Evidence and Contradiction

The guttural, deep male voice captured on the tape recorder is the most famous and most debated piece of evidence.

It identified itself as "Bill" or "Joe Watson," claiming to be a former occupant who had died of a haemorrhage. A key detail was the chilling moment when the voice, during one interrogation, stated, "I got a haemorrhage and I fell asleep in the chair in the corner and I died."

The sound itself presented a profound contradiction:

  • The Defence: A professional speech therapist concluded that the sounds did not seem to be created by the vocal cords of a human, and noted that Janet's own voice showed no sign of the damage expected if she were producing those harsh, guttural tones for extended periods. Playfair himself noted he could only imitate the voice for a few seconds before his throat became painfully sore.

  • The Skeptical Case: The voice only spoke when the investigators were out of the room or at a distance from Janet, and during the "Daisy Daisy" test, Janet consistently stopped singing whenever "Bill" joined in. Skeptics point to this as an unconscious use of ventriloquism, possibly developed by Janet under extreme stress. The operation Janet had years later for a laryngeal cyst is frequently cited as the final proof that the voice originated in her throat, though this remains an oversimplification of a complex medical issue.

The Ambiguous Retreat

The case was saturated with attention, and this proved to be both its making and its potential undoing. The involvement of various mediums and investigators—Maurice Grosse especially—raised the ethical question: was the continuous attention fuelling the phenomena? The psychiatric diagnosis of schizophrenia (later retracted) and the suggestion that the family be taken out of the house (the trip to Clacton-on-Sea) hinted that Janet was the fragile, central factor.

The climax of the spiritual intervention was the medium Dono Maling suggesting the entity was Grosse's deceased daughter. This intensely personal moment for the chief investigator arguably provided him with the closure he was so desperately seeking. The activity did not end with a dramatic confrontation; it simply slowly tapered off over a period of months.

Crucially, when the Hodgson family moved out, the subsequent occupants reported total peace. The phenomena was inextricably tied to the family, lending massive weight to the Psychokinesis (PK) theory—that the strain of a single mother, an already troubled family life, and a pubescent daughter’s stress manifested as powerful, destructive energy.

The Block Universe: A Wyrd Conclusion

The legacy of Enfield is its ambiguity. Was it the greatest hoax, perpetuated by a young girl caught in a whirlwind of attention? Or was it a genuine, uncontrolled power?

The ultimate weirdness lies in the question: What if the haunting was reciprocal?

If time is not a linear arrow, but a "Block Universe" where past, present, and future all exist simultaneously, then perhaps the intense, terrified energy of the Hodgsons in 1977 momentarily touched the residual imprint of the past—Bill Wilkins’ death, the fear of the Blitz knocks—creating a brief, two-way portal.

Perhaps we are not merely passive observers of the past; perhaps our own fear and intense energy create ripples that haunt the past, caught in a never-ending echo across the dimensions of time.

Janet Hodgson maintains that everything that happened in that house was real. The evidence, however, is what keeps us all guessing, forever unpicking the Polka Dot and the Flying Lego.

Stay Wyrd!

Pumpkin Orange, Cola Bottles, and the DNA from Beyond the Stars: An AfterWyrd Dive into Wyrd News

Welcome back, Wyrdo’s! This week, the AfterWyrd bonus podcast, hosted by myself (Craig) and Andy, saw us dive headfirst into the very heart of the strange and the supernatural. From occult gifts to an unprecedented medical calamity caused by a popular sweet, here is the deeper dive into the oddest stories of the week.

Autumnal Gifts and a Despicable Minion Disaster

The season has properly changed, ushering in the 'pumpkin orange' aesthetic, which, as Andy pointed out, I seem to be physically embodying. My own recent birthday haul was suitably wyrd, including the fascinating deep dive of The Exorcist Files and a beautiful new Nordic Tarot Deck. However, the domestic peace was quickly shattered by the madness of the Wyrd News.

We covered the utterly bonkers story of a gentleman from Barnsley who landed himself in hospital after embarking on a three-day, three-kilogram binge of cola bottle sweets. Doctors were, understandably, baffled—until an internal investigation revealed he was completely blocked up with gelatine. His condition, acute diverticulitis, led to an "astronomically high" blood pressure reading. It is a stark, if hilarious, reminder that even the most seemingly harmless sugary treats can become a health hazard when consumed at industrial scale. We are looking forward to the inevitable film adaptation.

In a related vein of low-brow chaos, we also reported on a Despicable Minion toy causing a severe plumbing blockage in Sheffield. It seems the universe is actively using inanimate objects to remind us of life's absurdities.

The Hopi Prophecy and the Occult Collector

The news then took a sharper political-paranormal turn with the resurfacing of the Hopi tribal prophecy. This ancient Native American prophecy speaks of the 'True White Brother' who will appear at the end of the Fourth World, noted by his being "all-powerful" and wearing a "red cap or red cloak."

While elders of the Hopi caution against literal interpretations, modern conspiracists have latched onto the 'red cap' as a blatant, uncanny prediction of a certain former US President. The prophecy also mentions two wise, powerful helpers—one with the symbol of the swastika (which the Hopi state represents purity/life, though we noted the obvious problematic modern context) and one with the sign of the sun. It is pure, high-grade conspiracy fuel and well worth a deep-dive on its own.

To round off the section, we flagged an upcoming London occult exhibition at the Waterloo Vaults featuring genuine, ceremonial artefacts, including a staff once owned by the infamous ceremonial magician Aleister Crowley. A perfect day out for any Wyrdo.

The Alien DNA Hypothesis: Is the Truth Inside Us?

The show’s main Wyrd News item took us into the deepest realms of controversial science: the Alien DNA Hypothesis.

Andy introduced a preliminary, un-peer-reviewed study conducted by Max Rempel, which proposes that extraterrestrial beings have genetically modified the human genome. Rempel’s analysis of the 1000 Genomes Project claims to have identified large fragments of non-parental DNA sequences in children that match neither human parent. Crucially, the non-parental fragments appeared in children born before 1990, predating widespread use of advanced human genetic modification tools like CRISPR. Rempel suggests the required precision for these insertions points to an advanced, non-human technology.

The Wyrdo's explored the most mind-bending speculation this research inspires: that these genetic 'aberrations' are linked to neurodivergent traits and may even be the source of latent abilities such as telepathy. It’s a theory that ties in perfectly with the claims from the popular podcast Telepathy\ Tapes, challenging our entire understanding of human evolution.

The Great Haunting Count: Why is Dorset Being Robbed?

Finally, we tackled a piece of news close to our hearts: the UK’s Most Haunted Counties. A recent study, using the Paranormal Database (a massive online repository of reported sightings), placed Essex and Sussex at the top of the league table for spectral occurrences.

However, as a true Wyrdo, I had to voice my righteous indignation at the rankings. We pointed out that while the list is interesting, the methodology seems flawed. When counties like Suffolk are placed highly due to numerous reports from Rendlesham Forest—a location famous primarily for a UFO incident—it muddies the waters. Crop circles, UFOs, and Minions in toilets are all Wyrd, but they are not the same as a haunting. Dorset, a county dripping in ancient, dark history, deserves a much higher spot on any definitive list of the UK’s spookiest locales.

Don’t blame the Owls!